Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 9. 11. 2000 - Počet stran: 494 Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print. |
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Strana 8
... describes the creation of typographic conventions for the drama and the relations among theatrical troupes, dramatists, and publishers during the period of the establishment of professional theatre in Europe. Chapter , “Drama as ...
... describes the creation of typographic conventions for the drama and the relations among theatrical troupes, dramatists, and publishers during the period of the establishment of professional theatre in Europe. Chapter , “Drama as ...
Strana 10
... describes the role of print in the creation of the actor as author of the scene—paradigm of social role-playing, prototype for the changeling self as subject. Chapter , “A Theatre Too Much With Us,” looks at the renewal of anti ...
... describes the role of print in the creation of the actor as author of the scene—paradigm of social role-playing, prototype for the changeling self as subject. Chapter , “A Theatre Too Much With Us,” looks at the renewal of anti ...
Strana 26
... describes his own make-up in calling attention to his “dull, ghastly yellowish-white complexion”; Montchrestien's Sara and Rachel (in Aman) describe Mardochée's physique and attire, “deformed by filth ... his stomach quivering and ...
... describes his own make-up in calling attention to his “dull, ghastly yellowish-white complexion”; Montchrestien's Sara and Rachel (in Aman) describe Mardochée's physique and attire, “deformed by filth ... his stomach quivering and ...
Strana 68
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 104
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
1 | |
11 | |
13 | |
THEATRE IMPRIMATUR | 91 |
THE SENSES OF MEDIA | 145 |
THE COMMERCE OF LETTERS | 201 |
THEATRICAL IMPRESSIONS | 255 |
Epilogue | 308 |
Notes | 313 |
Works Cited | 444 |
Index | 487 |
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Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Zobrazení fragmentů - 2000 |
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