Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 9. 11. 2000 - Počet stran: 494 Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print. |
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Strana 15
... directions. There were ornate presentation copies, like the Arras manuscript of Eustache Mercadé's Mystery of the Passion (from the first quarter of the fifteenth century), with its beautifully rendered illustrations of such scenes as ...
... directions. There were ornate presentation copies, like the Arras manuscript of Eustache Mercadé's Mystery of the Passion (from the first quarter of the fifteenth century), with its beautifully rendered illustrations of such scenes as ...
Strana 23
... directions or conventionalized speech-prefixes. What this last means is that early dramatic texts (manuscript or printed) regularly spelled out descriptively (for the otherwise befuddled reader) the narrative framework that, by the ...
... directions or conventionalized speech-prefixes. What this last means is that early dramatic texts (manuscript or printed) regularly spelled out descriptively (for the otherwise befuddled reader) the narrative framework that, by the ...
Strana 24
... directions, speech-prefixes, and dialogue may simply make up a typographic continuum, as do most in Johann Agricola's Tragedia Johannis Huss( ): “Herr Hans von Clum runs angrily to the Pope ... and says to him in the presence of ...
... directions, speech-prefixes, and dialogue may simply make up a typographic continuum, as do most in Johann Agricola's Tragedia Johannis Huss( ): “Herr Hans von Clum runs angrily to the Pope ... and says to him in the presence of ...
Strana 26
... directions in the vernacular (often in the imperative), with exits and entrances clearly, if irregularly, marked. With performance in mind, typical early sixteenth-century vernacular plays had tended to offer much of the scenic ...
... directions in the vernacular (often in the imperative), with exits and entrances clearly, if irregularly, marked. With performance in mind, typical early sixteenth-century vernacular plays had tended to offer much of the scenic ...
Strana 62
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
1 | |
11 | |
13 | |
THEATRE IMPRIMATUR | 91 |
THE SENSES OF MEDIA | 145 |
THE COMMERCE OF LETTERS | 201 |
THEATRICAL IMPRESSIONS | 255 |
Epilogue | 308 |
Notes | 313 |
Works Cited | 444 |
Index | 487 |
Další vydání - Zobrazit všechny
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Zobrazení fragmentů - 2000 |
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