Theatre of the Book, 1480-1880: Print, Text, and Performance in EuropeOxford University Press, 9. 11. 2000 - Počet stran: 494 Theatre of the Book is an account of the entangled histories of print and the theatre in Europe between the Renaissance and the late nineteenth century: a history of European dramatic publication (providing comparative and historical perspective to the growing field of textual studies); an examination of the creation of the modern notion of text and performance; and a comparative genealogy of ideas about theatrical and textual reception. It shows that, far from being marginal to Renaissance dramatists, the printing press had an essential role to play in the birth of the modern theatre, crucially shaping the normative conception of 'theatre' as a distinct aesthetic medium and of drama as a distinct narrative form, helping to forge a theatricalist aesthetics in opposition to 'the book'. Treating playtexts, engravings, actor portraits, notation systems, and theatrical ephemera at once as material objects and expressions of complex cultural formations, Theatre of the Book examines the European theatre's continual refashioning of itself in the world of print. |
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Strana 6
... languages over forty times in the sixteenth century. There were at least thirteen Italian editions of Trissino's Sofonisba in the sixteenth century, fifteen of Machiavelli's Mandragola, twenty-six of Bibbiena's Calandra, around forty of ...
... languages over forty times in the sixteenth century. There were at least thirteen Italian editions of Trissino's Sofonisba in the sixteenth century, fifteen of Machiavelli's Mandragola, twenty-six of Bibbiena's Calandra, around forty of ...
Strana 8
... language, norms for scholarly annotation, and “the Rules” (identified with the learned book and reflecting the critical authority of the state) and, on the other, the “licentious” theatre, embracing its own populism and drawing an ...
... language, norms for scholarly annotation, and “the Rules” (identified with the learned book and reflecting the critical authority of the state) and, on the other, the “licentious” theatre, embracing its own populism and drawing an ...
Strana 11
... language quotations and titles in the notes. The majority of the material with which I have dealt has not been translated or has been translated badly, so I have been obliged to do my own, certainly flawed, translations. Where there is ...
... language quotations and titles in the notes. The majority of the material with which I have dealt has not been translated or has been translated badly, so I have been obliged to do my own, certainly flawed, translations. Where there is ...
Strana 89
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Strana 99
U této knihy jste dosáhli svého limitního počtu zobrazení..
U této knihy jste dosáhli svého limitního počtu zobrazení..
Obsah
1 | |
11 | |
13 | |
THEATRE IMPRIMATUR | 91 |
THE SENSES OF MEDIA | 145 |
THE COMMERCE OF LETTERS | 201 |
THEATRICAL IMPRESSIONS | 255 |
Epilogue | 308 |
Notes | 313 |
Works Cited | 444 |
Index | 487 |
Další vydání - Zobrazit všechny
Theatre of the Book, 1480-1880: Print, Text, and Performance in Europe Julie Stone Peters Zobrazení fragmentů - 2000 |
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