The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - Počet stran: 560 This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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Strana 48
... character and thought , since it is from these that we ascribe certain qualities to their actions . There are in the natural order of things , therefore , two causes , Character and Thought , of their actions , and consequently of their ...
... character and thought , since it is from these that we ascribe certain qualities to their actions . There are in the natural order of things , therefore , two causes , Character and Thought , of their actions , and consequently of their ...
Strana 49
... Character gives us qualities , but it is in our actions - what we do that we are happy or the reverse . In a play accordingly they do not act in order to portray the Characters ; they include the Characters for the sake of the action ...
... Character gives us qualities , but it is in our actions - what we do that we are happy or the reverse . In a play accordingly they do not act in order to portray the Characters ; they include the Characters for the sake of the action ...
Strana 68
... character he has to portray . To this end he persuades him to identify himself with him ( the actor ) and uses every energy to convert himself as completely as possible into a different type , that of the character in question . If this ...
... character he has to portray . To this end he persuades him to identify himself with him ( the actor ) and uses every energy to convert himself as completely as possible into a different type , that of the character in question . If this ...
Obsah
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
Autorská práva | |
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing