The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - Počet stran: 560 This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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Strana 216
... concerned , there are two fundamentally different possibilities . If the new correlate begins to confirm the ... concern is to narrow the range in order to bring out the individuality of that object . In most literary texts , however ...
... concerned , there are two fundamentally different possibilities . If the new correlate begins to confirm the ... concern is to narrow the range in order to bring out the individuality of that object . In most literary texts , however ...
Strana 269
... concern for precision in poetic language . The emphasis on the concreteness of poetry's apprehension of reality is central ... concerned purely with matters of technique and for ignoring the ' social command ' . Roman Jakobson asked the ...
... concern for precision in poetic language . The emphasis on the concreteness of poetry's apprehension of reality is central ... concerned purely with matters of technique and for ignoring the ' social command ' . Roman Jakobson asked the ...
Strana 280
... concerned with the effects . Such concern seems to reflect the view that art comes into being because the artist , or the employer behind him , has designs upon the public , whether high moral designs or box - office ones . It is an ...
... concerned with the effects . Such concern seems to reflect the view that art comes into being because the artist , or the employer behind him , has designs upon the public , whether high moral designs or box - office ones . It is an ...
Obsah
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
Autorská práva | |
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing