The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - Počet stran: 560 This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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Strana 120
... determine what illocutionary act is so performed we must determine in what way we are using the locution : asking or answering a question , giving some information or an assurance or a warning , announcing a verdict or an intention ...
... determine what illocutionary act is so performed we must determine in what way we are using the locution : asking or answering a question , giving some information or an assurance or a warning , announcing a verdict or an intention ...
Strana 208
... determine the scope , whereas alteration and reproduction determine the borders of a genre - structure . The interpretative reception of a text always presupposes the context of experience of aesthetic perception : the question of the ...
... determine the scope , whereas alteration and reproduction determine the borders of a genre - structure . The interpretative reception of a text always presupposes the context of experience of aesthetic perception : the question of the ...
Strana 467
... determining the character and disposition of certain pseudo - real ' constituents . This inversion , as it were , of the real historical process , whereby in the text itself ideology seems to determine the historically real rather than ...
... determining the character and disposition of certain pseudo - real ' constituents . This inversion , as it were , of the real historical process , whereby in the text itself ideology seems to determine the historically real rather than ...
Obsah
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
Autorská práva | |
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing