The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - Počet stran: 560 This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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Strana 229
... give his vague intimations a binding form have left their traces . Even in the Rhodesian cliff - drawings of the Old Stone Age there appears , side by side with the most amazingly life - like representations of animals , an abstract ...
... give his vague intimations a binding form have left their traces . Even in the Rhodesian cliff - drawings of the Old Stone Age there appears , side by side with the most amazingly life - like representations of animals , an abstract ...
Strana 311
... gives an image , a feeling attaching to an image , which ' came ' , which did not develop simply out of what precedes ... give the impression of . It is no more intense , furthermore , than Canto XXVI , the voyage of Ulysses , which has ...
... gives an image , a feeling attaching to an image , which ' came ' , which did not develop simply out of what precedes ... give the impression of . It is no more intense , furthermore , than Canto XXVI , the voyage of Ulysses , which has ...
Strana 459
... give us a knowledge in the strict sense , it therefore does not replace knowledge ( in the modern sense : scientific knowledge ) , but what it gives us does nevertheless maintain a certain specific relationship with knowledge . This ...
... give us a knowledge in the strict sense , it therefore does not replace knowledge ( in the modern sense : scientific knowledge ) , but what it gives us does nevertheless maintain a certain specific relationship with knowledge . This ...
Obsah
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
Autorská práva | |
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing