The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - Počet stran: 560 This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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Strana 121
... kind for a problem of the latter kind . True , we are now getting out of this ; for some years we have been realizing more and more clearly that the occasion of an utterance matters seriously , and that the words used are to some extent ...
... kind for a problem of the latter kind . True , we are now getting out of this ; for some years we have been realizing more and more clearly that the occasion of an utterance matters seriously , and that the words used are to some extent ...
Strana 279
... kind of thing . For whatever word you use is at once sentimentalised . Take Coleridge's word ' vital . ' It is used loosely by all kinds of people who talk about art , to mean something vaguely and mysteriously significant . In fact ...
... kind of thing . For whatever word you use is at once sentimentalised . Take Coleridge's word ' vital . ' It is used loosely by all kinds of people who talk about art , to mean something vaguely and mysteriously significant . In fact ...
Strana 434
... kind of organization , the relationships which works or institutions embody as parts of the organization as a whole . A key - word , in such analysis , is pattern : it is with the discovery of patterns of a characteristic kind that any ...
... kind of organization , the relationships which works or institutions embody as parts of the organization as a whole . A key - word , in such analysis , is pattern : it is with the discovery of patterns of a characteristic kind that any ...
Obsah
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
Autorská práva | |
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing