The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - Počet stran: 560 This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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Strana 243
... linguistic means of expression . However , the Russian Formalists and the New Critics applied themselves to linguistic structure in order to discover the specific nature of literary language , while classical rhetoric had aimed to ...
... linguistic means of expression . However , the Russian Formalists and the New Critics applied themselves to linguistic structure in order to discover the specific nature of literary language , while classical rhetoric had aimed to ...
Strana 367
... linguistic unit at one and the same time serves as a context for simpler units and / or finds its own context in a more complex linguistic unit . Hence any actual grouping of linguistic units binds them into a superior unit ...
... linguistic unit at one and the same time serves as a context for simpler units and / or finds its own context in a more complex linguistic unit . Hence any actual grouping of linguistic units binds them into a superior unit ...
Strana 439
... Linguistics ' ( 1937 ) , discussed the differences between the broad view of linguistic systems and the regional study of linguistic change : the latter he called ' idiodiachrony , ' as opposed to ' padiachrony . ' Similarly , the ...
... Linguistics ' ( 1937 ) , discussed the differences between the broad view of linguistic systems and the regional study of linguistic change : the latter he called ' idiodiachrony , ' as opposed to ' padiachrony . ' Similarly , the ...
Obsah
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
Autorská práva | |
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing