The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - Počet stran: 560 This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
Vyhledávání v knize
Výsledky 1-3 z 81
Strana 469
... moral ' tradition has always been the most anti - theoretical of the traditions of European criticism , and has been especially strong in Britain . If the best literature is that which fosters or ... moral PART V: MORALITY, CLASS AND GENDER.
... moral ' tradition has always been the most anti - theoretical of the traditions of European criticism , and has been especially strong in Britain . If the best literature is that which fosters or ... moral PART V: MORALITY, CLASS AND GENDER.
Strana 470
A Reader Raman Selden. imaginative faculty itself is ' the organ of the moral nature of man ' . Ruskin's moral down - to - earth idealism treats art as if it serves ' life ' , and in this he returns by a circuitous route to the moralism ...
A Reader Raman Selden. imaginative faculty itself is ' the organ of the moral nature of man ' . Ruskin's moral down - to - earth idealism treats art as if it serves ' life ' , and in this he returns by a circuitous route to the moralism ...
Strana 474
... morally liberal novels of Henry Fielding . Like William Blake , Shelley believed that the moral customs of a particular era are the result of the imaginative vision of great men . What at one stage is a new and unorthodox understanding ...
... morally liberal novels of Henry Fielding . Like William Blake , Shelley believed that the moral customs of a particular era are the result of the imaginative vision of great men . What at one stage is a new and unorthodox understanding ...
Obsah
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
Autorská práva | |
Další části 27 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing