The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - Počet stran: 560 This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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Strana 216
... object of the text can only be imagined by way of different consecutive phases of reading . We always stand outside the given object , whereas we are situated inside the literary text . The relation between text and reader is therefore ...
... object of the text can only be imagined by way of different consecutive phases of reading . We always stand outside the given object , whereas we are situated inside the literary text . The relation between text and reader is therefore ...
Strana 248
... Object is signified , but through which there is a feeling in the subject , as it is affected by the representation . [ . . . ] The beautiful is that which apart from concepts is rrepresented as the object of a universal satisfaction ...
... Object is signified , but through which there is a feeling in the subject , as it is affected by the representation . [ . . . ] The beautiful is that which apart from concepts is rrepresented as the object of a universal satisfaction ...
Strana 282
... object which is real , individual , and qualitatively infinite . He knows that his practical interests will reduce this living object to a mere utility , and that his sciences will disintegrate it for their convenience into their ...
... object which is real , individual , and qualitatively infinite . He knows that his practical interests will reduce this living object to a mere utility , and that his sciences will disintegrate it for their convenience into their ...
Obsah
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
Autorská práva | |
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing