The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - Počet stran: 560 This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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Strana 80
... Particular . ' He denied that the particular objects of nature are the poet's objects , and insisted that the imagination was the only source of truth and that natural objects tend to narrow and confine the imagination . Blake's poetic ...
... Particular . ' He denied that the particular objects of nature are the poet's objects , and insisted that the imagination was the only source of truth and that natural objects tend to narrow and confine the imagination . Blake's poetic ...
Strana 234
... particular of poetry in which we feel the pattern we have called the Rebirth archetype , we may say that all poetry , laying hold of the individual through the sensuous resources of language , communicates in some measure the experience ...
... particular of poetry in which we feel the pattern we have called the Rebirth archetype , we may say that all poetry , laying hold of the individual through the sensuous resources of language , communicates in some measure the experience ...
Strana 433
... particular activities and their interrelations were affected . Further , since the particular activities will be serving varying and sometimes conflicting ends , the sort of change we must look for will rarely be of a simple kind ...
... particular activities and their interrelations were affected . Further , since the particular activities will be serving varying and sometimes conflicting ends , the sort of change we must look for will rarely be of a simple kind ...
Obsah
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
Autorská práva | |
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing