The Theory of Criticism from Plato to the Present: A ReaderRaman Selden Longman, 1988 - Počet stran: 560 This book is divided into five parts: representation; subjectivity; form, structure and system; history and society; morality, class and ideology. Each part contains several thematic sections in which extracts from different writers and periods are juxtaposed. The study of literary theory has tended to concentrate on very recent developments. This volume, however, establishes both a sense of the continuities from Plato to the present day as well as the discontinuities. These are presented through comparisons and contrasts across the entire field of critical history. |
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Strana 39
... words are thoughts and not only our own thoughts but the thoughts of men and women ignorant of what it is that they are thinking , must be conscious of this : that , above everything else , poetry is words ; and that words , above ...
... words are thoughts and not only our own thoughts but the thoughts of men and women ignorant of what it is that they are thinking , must be conscious of this : that , above everything else , poetry is words ; and that words , above ...
Strana 95
... words , he points to Augustine's assumption of a ' picture view ' of language , according to which ' Every word has a meaning . This meaning is correlated with the word . It is the object for which the word stands . ' Wittgenstein makes ...
... words , he points to Augustine's assumption of a ' picture view ' of language , according to which ' Every word has a meaning . This meaning is correlated with the word . It is the object for which the word stands . ' Wittgenstein makes ...
Strana 309
... words , and finally into words with music , and finally into words with a vague adumbration of music , words suggestive of music , words measured , or words in a rhythm that preserves some accurate trait of the emotive impression , or ...
... words , and finally into words with music , and finally into words with a vague adumbration of music , words suggestive of music , words measured , or words in a rhythm that preserves some accurate trait of the emotive impression , or ...
Obsah
INTRODUCTION | 1 |
REPRESENTATION | 7 |
MIMESIS AND REALISM | 40 |
Autorská práva | |
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abridged extracts actants aesthetic function Aristotle artistic Barthes beauty called century character classical Cleanth Brooks common concept consciousness culture D. H. Lawrence discourse effect Eliot emotion Erich Auerbach Essays example experience expression F. R. Leavis fact feeling fiction flâneur genius human I. A. Richards ideas ideology illocutionary acts images imagination imitation individual interpretation judgment kind knowledge language Leavis linguistic Literary Criticism literature London meaning metaphor metonymic mind modern moral narrative nature novel novelist object original particular passions person philosophical poem poet poet's poetic poetry present produced question Raymond Williams reader reading realism reality reflection relation representation rhetoric Russian Formalism semiotic sense signifier social society soul speak speech structuralist structure style sublime symbolic T. S. Eliot theory things thought tradition tragedy trans true truth understanding unity University whole words writing