British Cinema and Thatcherism: Fires Were StartedLester D. Friedman UCL Press, 1993 - Počet stran: 320 The research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
Vyhledávání v knize
Výsledky 1-3 z 37
Strana 32
... Hopes provides no political al- ternative to Thatcherism , but it suggests ways to live more humanly , even amid the social inequity and meanness of Thatcher's England . Those grander high hopes of radical political change no longer ...
... Hopes provides no political al- ternative to Thatcherism , but it suggests ways to live more humanly , even amid the social inequity and meanness of Thatcher's England . Those grander high hopes of radical political change no longer ...
Strana 79
... Hopes , as Gilbert Adair says , produces " an effet du réel ” ( Adair , 65 ) , an illusion of verisimilitude inextricably interwoven with the structures of tele- vision and predicated upon a mimetic relay of ordinary domestic life ...
... Hopes , as Gilbert Adair says , produces " an effet du réel ” ( Adair , 65 ) , an illusion of verisimilitude inextricably interwoven with the structures of tele- vision and predicated upon a mimetic relay of ordinary domestic life ...
Strana 133
... Hope and Glory begin with self - conscious evocations of the process of memory and history . Hope and Glory , the autobiographical film of director John Boorman's childhood experiences in wartime London , when his mother took over as ...
... Hope and Glory begin with self - conscious evocations of the process of memory and history . Hope and Glory , the autobiographical film of director John Boorman's childhood experiences in wartime London , when his mother took over as ...
Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
Four | 41 |
Autorská práva | |
Další části 13 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
Běžně se vyskytující výrazy a sousloví
aesthetic American Angry Young Angry Young Men animation artists audience avant-garde Beautiful Laundrette Black Audio black British Britain British cinema British Film Institute British television camera Channel Four characters Chariots of Fire contemporary critical David Derek Jarman directors documentary dominant drama Draughtsman's Contract economic edited eighties English fantasy film culture film industry film's filmmakers genre Greenaway's Handsworth Songs heritage films Hollywood identity ideology images independent Irish John Ken Russell Krays Labour Last of England LAW's Leeds literary live London mainstream Margaret Thatcher Michael modernism moral mother movement narrative Northern Ireland party past period Peter Greenaway Ploughman's Lunch police political popular memory production Protestant realism representation represents Roeg role Russell's Sankofa scene Screen sense sexual shot Sight and Sound social society Stephen Frears suggests Thatcherite Third Cinema tion tradition viewers vision visual women Workshop