British Cinema and Thatcherism: Fires Were StartedThe research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
Vyhledávání v knize
Výsledky 1-3 z 40
Strana 188
Eleven The Body Politic : Ken Russell in the 1980s Barry Keith Grant Ken Russell
is commonly known - and most often summarily dismissed - as a director who
indulges in visual excess . Unlike many other art - house auteurs , most notably ...
Eleven The Body Politic : Ken Russell in the 1980s Barry Keith Grant Ken Russell
is commonly known - and most often summarily dismissed - as a director who
indulges in visual excess . Unlike many other art - house auteurs , most notably ...
Strana 193
A “ prequel ” to Women in Love , the film returns Russell to the material which first
established his reputation and which , apart from Tommy ( 1975 ) , represents
Russell's only unqualified critical and commercial success . Russell emphasizes
...
A “ prequel ” to Women in Love , the film returns Russell to the material which first
established his reputation and which , apart from Tommy ( 1975 ) , represents
Russell's only unqualified critical and commercial success . Russell emphasizes
...
Strana 202
Russell continues to prefer romantic individuals , usually artists , as his
protagonists ( Ursula Brangwen , Byron , and the ... Russell ' s own appearance
in the recent spy thriller The Russia House ( 1990 ) as a singular radically
dressed agent ...
Russell continues to prefer romantic individuals , usually artists , as his
protagonists ( Ursula Brangwen , Byron , and the ... Russell ' s own appearance
in the recent spy thriller The Russia House ( 1990 ) as a singular radically
dressed agent ...
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
The New British Cinema | 52 |
Autorská práva | |
Další části 12 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
Běžně se vyskytující výrazy a sousloví
aesthetic American animation appears artists audience become Britain British cinema British Film Channel Four characters close collective concerned construction continued course created critical culture David desire directed directors dominant economic edited effect England English establishment example experience expressed film's filmmakers forces function Greenaway Hall hand heritage Hope idea identity ideology images independent industry Institute Ireland issues Jarman John live London look means memory moral mother movement narrative never particular party past period Peter play police political popular position present Press production Protestant question realism remains representation represents response Russell scene Screen seen sense sexual social society space success suggests takes television Thatcher tion tradition turn United University values vision visual women Workshop Young