British Cinema and Thatcherism: Fires Were StartedThe research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
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Strana 17
The accompanying film renaissance stands as one of the more positive by -
products of the Thatcher ethos , though in an almost totally oppositional and
critical manner . Margaret Thatcher's father shaped her political personality .
The accompanying film renaissance stands as one of the more positive by -
products of the Thatcher ethos , though in an almost totally oppositional and
critical manner . Margaret Thatcher's father shaped her political personality .
Strana 18
Their policies remained dedicated to the idea of “ one nation ” rather than to
Thatcher ' s neo - Darwinian notion of the social good being derived from the
conflict of self - interested groups . After the first few difficult years , with
unemployment ...
Their policies remained dedicated to the idea of “ one nation ” rather than to
Thatcher ' s neo - Darwinian notion of the social good being derived from the
conflict of self - interested groups . After the first few difficult years , with
unemployment ...
Strana 207
In Performance ( 1970 ) , Roeg ' s first film ( codirected with Donald Cammell ) ,
another gangster , this time a British one , exposes one of the central tensions
within Thatcherism , even before Thatcher ' s rise to power . Harry Flowers
admires ...
In Performance ( 1970 ) , Roeg ' s first film ( codirected with Donald Cammell ) ,
another gangster , this time a British one , exposes one of the central tensions
within Thatcherism , even before Thatcher ' s rise to power . Harry Flowers
admires ...
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Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
The New British Cinema | 52 |
Autorská práva | |
Další části 12 nejsou zobrazeny.
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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Bibliografické údaje
| Titul | British Cinema and Thatcherism: Fires Were Started |
| Redaktor | Lester D. Friedman |
| Vydání | 2, ilustrované vydání |
| Vydavatel | UCL Press, 1993 |
| ISBN | 1857280725, 9781857280722 |
| Délka | Počet stran: 320 |
| Exportovat citaci | BiBTeX EndNote RefMan |