British Cinema and Thatcherism: Fires Were StartedThe research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
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Strana 149
In other words , black spectators defined their relation to Channel Four by
demanding positive images ; such images were supposed to be necessary to
combat mainstream television ' s construction of blacks . They wanted Channel
Four ' s ...
In other words , black spectators defined their relation to Channel Four by
demanding positive images ; such images were supposed to be necessary to
combat mainstream television ' s construction of blacks . They wanted Channel
Four ' s ...
Strana 156
Interpreted from the perspective of black youth ' s contestation of their
construction by the police , this scene embodies several meanings . To begin
with , it appropriates the discourse of the police and addresses the fears of the
white woman ...
Interpreted from the perspective of black youth ' s contestation of their
construction by the police , this scene embodies several meanings . To begin
with , it appropriates the discourse of the police and addresses the fears of the
white woman ...
Strana 157
The filmmakers represent the diaspora as a way of resisting the pathological
construction of blackness by mainstream media and of positioning blackness as
a third and hybrid space that can be opposed to the ethnic absolutism of
Englishness ...
The filmmakers represent the diaspora as a way of resisting the pathological
construction of blackness by mainstream media and of positioning blackness as
a third and hybrid space that can be opposed to the ethnic absolutism of
Englishness ...
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Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
The New British Cinema | 52 |
Autorská práva | |
Další části 12 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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Bibliografické údaje
| Titul | British Cinema and Thatcherism: Fires Were Started |
| Redaktor | Lester D. Friedman |
| Vydání | 2, ilustrované vydání |
| Vydavatel | UCL Press, 1993 |
| ISBN | 1857280725, 9781857280722 |
| Délka | Počet stran: 320 |
| Exportovat citaci | BiBTeX EndNote RefMan |