British Cinema and Thatcherism: Fires Were StartedLester D. Friedman UCL Press, 1993 - Počet stran: 320 The research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
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Strana 122
... desire for the other , for the lost perfection of the spectacle , narrows any ironic distance that may have been intended . Period authenticity and heritage conservationism represent precisely the desire for perfection , for the past as ...
... desire for the other , for the lost perfection of the spectacle , narrows any ironic distance that may have been intended . Period authenticity and heritage conservationism represent precisely the desire for perfection , for the past as ...
Strana 197
... desire for another woman . After admitting this attraction to his wife , Bobby talks to his young son , the two ... desire to desire ( " the source of all truth and good , " her teacher and lesbian lover , Winifred , tells her ) ...
... desire for another woman . After admitting this attraction to his wife , Bobby talks to his young son , the two ... desire to desire ( " the source of all truth and good , " her teacher and lesbian lover , Winifred , tells her ) ...
Strana 211
... desire to experience the present moment to the full . A similar tension operates in Eureka ( 1983 ) , but here the forces of disorder dominate the film's imagery and structure . As Harlan Kennedy observes , " Roeg hurls heady visual ...
... desire to experience the present moment to the full . A similar tension operates in Eureka ( 1983 ) , but here the forces of disorder dominate the film's imagery and structure . As Harlan Kennedy observes , " Roeg hurls heady visual ...
Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
Four | 41 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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