British Cinema and Thatcherism: Fires Were StartedLester D. Friedman UCL Press, 1993 - Počet stran: 320 The research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
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Strana 8
... fact or deed . Once they are dispatched , life returns to normal . As opposed to this American vision of the one versus the many , the Brit- ish cinema depicts a persistent vision of irreconcilable binary opposites : of working class ...
... fact or deed . Once they are dispatched , life returns to normal . As opposed to this American vision of the one versus the many , the Brit- ish cinema depicts a persistent vision of irreconcilable binary opposites : of working class ...
Strana 32
... fact , without the film providing any explanation for the emotional change , he feels more serene , more willing to come to terms with life's injustice and have a child with Shirley- something he previously refused to do . High Hopes ...
... fact , without the film providing any explanation for the emotional change , he feels more serene , more willing to come to terms with life's injustice and have a child with Shirley- something he previously refused to do . High Hopes ...
Strana 257
... fact that many of Greenaway's preoccupations first appear in his work of the 1970s does not make it impossible to distinguish between his experimental and commercial films ; to paraphrase a remark of John Searle on Derrida , the fact ...
... fact that many of Greenaway's preoccupations first appear in his work of the 1970s does not make it impossible to distinguish between his experimental and commercial films ; to paraphrase a remark of John Searle on Derrida , the fact ...
Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
Four | 41 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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