British Cinema and Thatcherism: Fires Were StartedLester D. Friedman UCL Press, 1993 - Počet stran: 320 The research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
Vyhledávání v knize
Výsledky 1-3 z 33
Strana 117
... function as establishing shots . In this way , the heritage culture becomes the object of a public gaze , while the ... functional , not something to be used , but something to be admired . All in all , the camera style is pictorialist ...
... function as establishing shots . In this way , the heritage culture becomes the object of a public gaze , while the ... functional , not something to be used , but something to be admired . All in all , the camera style is pictorialist ...
Strana 278
... function " that provides both the title and the narrative climax of Malcolm Mowbray's 1984 film set in postwar Yorkshire is ostensibly the pork dinner that Dr. Swaby ( Denholm Eliot ) and his allies in the town's privileged classes will ...
... function " that provides both the title and the narrative climax of Malcolm Mowbray's 1984 film set in postwar Yorkshire is ostensibly the pork dinner that Dr. Swaby ( Denholm Eliot ) and his allies in the town's privileged classes will ...
Strana 279
... functions took on renewed pertinence , so it remains possible to read the analysis of social class and medical practice found in A Private Function as commentary on Margaret Thatcher's radically free market policies and gradual ...
... functions took on renewed pertinence , so it remains possible to read the analysis of social class and medical practice found in A Private Function as commentary on Margaret Thatcher's radically free market policies and gradual ...
Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
Four | 41 |
Autorská práva | |
Další části 13 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
Běžně se vyskytující výrazy a sousloví
aesthetic American Angry Young Angry Young Men animation artists audience avant-garde Beautiful Laundrette Black Audio black British Britain British cinema British Film Institute British television camera Channel Four characters Chariots of Fire contemporary critical David Derek Jarman directors documentary dominant drama Draughtsman's Contract economic edited eighties English fantasy film culture film industry film's filmmakers genre Greenaway's Handsworth Songs heritage films Hollywood identity ideology images independent Irish John Ken Russell Krays Labour Last of England LAW's Leeds literary live London mainstream Margaret Thatcher Michael modernism moral mother movement narrative Northern Ireland party past period Peter Greenaway Ploughman's Lunch police political popular memory production Protestant realism representation represents Roeg role Russell's Sankofa scene Screen sense sexual shot Sight and Sound social society Stephen Frears suggests Thatcherite Third Cinema tion tradition viewers vision visual women Workshop