British Cinema and Thatcherism: Fires Were StartedLester D. Friedman UCL Press, 1993 - Počet stran: 320 The research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
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Strana 36
... idea of a New Wave had crumbled away in most other European countries . The first New Wave , of course , exploded on the world from France in the " Miraculous Year " of 1959 , which launched Truffaut's Les Quatre Cents Coups , Resnais's ...
... idea of a New Wave had crumbled away in most other European countries . The first New Wave , of course , exploded on the world from France in the " Miraculous Year " of 1959 , which launched Truffaut's Les Quatre Cents Coups , Resnais's ...
Strana 62
... idea of a national cinema . The objective conditions for the renaissance , therefore , were not so much the existence of Channel Four and its commissioning policy , but the coexistence of Channel Four , the BFI Pro- duction Board , the ...
... idea of a national cinema . The objective conditions for the renaissance , therefore , were not so much the existence of Channel Four and its commissioning policy , but the coexistence of Channel Four , the BFI Pro- duction Board , the ...
Strana 272
... idea of the entrepreneur as gangster , and is no more an affront to the working class than the Italian - Americans of the Godfather films . The problem with this is the exclusively downward mobility of the metaphor ; capitalism is ...
... idea of the entrepreneur as gangster , and is no more an affront to the working class than the Italian - Americans of the Godfather films . The problem with this is the exclusively downward mobility of the metaphor ; capitalism is ...
Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
Four | 41 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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