British Cinema and Thatcherism: Fires Were StartedThe research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
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Výsledky 1-3 z 48
Strana 130
Eight Free from the Apron Strings : Representations of Mothers in the Maternal
British State Mary Desjardins Hope and ... Hope and Glory , for instance , features
the oedipal mother , as its young male protagonist struggles to find adult role ...
Eight Free from the Apron Strings : Representations of Mothers in the Maternal
British State Mary Desjardins Hope and ... Hope and Glory , for instance , features
the oedipal mother , as its young male protagonist struggles to find adult role ...
Strana 135
So one of the film ' s memories potentially disruptive to a national popular
memory - the experiences of mothers , sisters ... These traumas , and thus the boy
' s lack , are resolved when the mother ' s desire for infidelity is met with the literal
...
So one of the film ' s memories potentially disruptive to a national popular
memory - the experiences of mothers , sisters ... These traumas , and thus the boy
' s lack , are resolved when the mother ' s desire for infidelity is met with the literal
...
Strana 243
Mother comforts Tony during his scarlet fever , but the next sequence shows her
powerless to intervene when Tommy refuses to let him indoors later . He is forced
to seek refuge with his grandmother , who Maisie later recognizes as being just ...
Mother comforts Tony during his scarlet fever , but the next sequence shows her
powerless to intervene when Tommy refuses to let him indoors later . He is forced
to seek refuge with his grandmother , who Maisie later recognizes as being just ...
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Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
The New British Cinema | 52 |
Autorská práva | |
Další části 12 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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Bibliografické údaje
| Titul | British Cinema and Thatcherism: Fires Were Started |
| Redaktor | Lester D. Friedman |
| Vydání | 2, ilustrované vydání |
| Vydavatel | UCL Press, 1993 |
| ISBN | 1857280725, 9781857280722 |
| Délka | Počet stran: 320 |
| Exportovat citaci | BiBTeX EndNote RefMan |