British Cinema and Thatcherism: Fires Were StartedThe research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
Vyhledávání v knize
Výsledky 1-3 z 21
Strana 154
The question of the racial / cultural identity of black people in the Diaspora was at
this period given priority over other factors arising out of the history of settlement ”
( McFarlene , 29 ) . For McFarlene , a shift occurred with films by Sankofa and ...
The question of the racial / cultural identity of black people in the Diaspora was at
this period given priority over other factors arising out of the history of settlement ”
( McFarlene , 29 ) . For McFarlene , a shift occurred with films by Sankofa and ...
Strana 258
This combination of comparisons suggests that Greenaway ' s meditation on art
history is a question of animation , a question of negotiating between two basics
of the film image : the stillness it shares with painting and photography and the ...
This combination of comparisons suggests that Greenaway ' s meditation on art
history is a question of animation , a question of negotiating between two basics
of the film image : the stillness it shares with painting and photography and the ...
Strana 271
My account of The Cook will question this widely accepted view of the film .
Noting that Greenaway and his two interviewers imagine politics in terms of the
guild values of artists and writers ( Spica's crime is “ vulgarity " or lack of
appreciation ...
My account of The Cook will question this widely accepted view of the film .
Noting that Greenaway and his two interviewers imagine politics in terms of the
guild values of artists and writers ( Spica's crime is “ vulgarity " or lack of
appreciation ...
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Obsah
Part I | 5 |
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
Autorská práva | |
Další části 13 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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Bibliografické údaje
| Titul | British Cinema and Thatcherism: Fires Were Started |
| Redaktor | Lester D. Friedman |
| Vydání | 2, ilustrované vydání |
| Vydavatel | UCL Press, 1993 |
| ISBN | 1857280725, 9781857280722 |
| Délka | Počet stran: 320 |
| Exportovat citaci | BiBTeX EndNote RefMan |