British Cinema and Thatcherism: Fires Were StartedLester D. Friedman UCL Press, 1993 - Počet stran: 320 The research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
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Strana 5
... represents the brightest jewel in Great Britain's cultural crown . Surely no American college or uni- versity , no ... represent the greatest proportion of British films exported to the United States for residual rental purposes . Rel ...
... represents the brightest jewel in Great Britain's cultural crown . Surely no American college or uni- versity , no ... represent the greatest proportion of British films exported to the United States for residual rental purposes . Rel ...
Strana 238
... represents an artistic ex- ploration of psychic trauma . Since his first film , Children ( 1976 ) , Davies has ... represent an imag- inary transcendental union with the maternal realm . It is almost as if he is receiving an imaginary ...
... represents an artistic ex- ploration of psychic trauma . Since his first film , Children ( 1976 ) , Davies has ... represent an imag- inary transcendental union with the maternal realm . It is almost as if he is receiving an imaginary ...
Strana 251
... represented . Through such objects " aggression aimed at the parent can be turned upon the self " ( Sarnoff , 205 ) . Eileen's weeping for her father represents such a mechanism . Although she cursed him while he lived she now turns her ...
... represented . Through such objects " aggression aimed at the parent can be turned upon the self " ( Sarnoff , 205 ) . Eileen's weeping for her father represents such a mechanism . Although she cursed him while he lived she now turns her ...
Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
Four | 41 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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