British Cinema and Thatcherism: Fires Were StartedLester D. Friedman UCL Press, 1993 - Počet stran: 320 The research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
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Strana 125
... scène may have . " The national past , " Patrick Wright argues , " is capable of finding splen- dour in old styles of political domination and of making an alluring romance out of atrocious colonial exploitation " ( 254 ) . The comment ...
... scène may have . " The national past , " Patrick Wright argues , " is capable of finding splen- dour in old styles of political domination and of making an alluring romance out of atrocious colonial exploitation " ( 254 ) . The comment ...
Strana 211
... scene and scene , metaphor and real- ity , parable and paranormal " ( Kennedy , 21 ) . These disruptive strategies re- flect a tension built into the conception of the film as a treatment of the figure of the self - sufficient ...
... scene and scene , metaphor and real- ity , parable and paranormal " ( Kennedy , 21 ) . These disruptive strategies re- flect a tension built into the conception of the film as a treatment of the figure of the self - sufficient ...
Strana 248
... scene is especially noteworthy in illustrating Davies ' technique in raising audience perceptions in a new materialistic cinematic manner . At the climax of Still Lives , the newly married Tony weeps unseen outside his mother's house ...
... scene is especially noteworthy in illustrating Davies ' technique in raising audience perceptions in a new materialistic cinematic manner . At the climax of Still Lives , the newly married Tony weeps unseen outside his mother's house ...
Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
Four | 41 |
Autorská práva | |
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Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
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