British Cinema and Thatcherism: Fires Were StartedThe research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
Vyhledávání v knize
Výsledky 1-3 z 60
Strana 45
Both , in another sense , can also be seen as neoromantics , steeped in a
personal vision of the English landscape , endlessly revisiting and rejecting the
temptations of Victorianism and antiquarianism , returning much more willingly to
their ...
Both , in another sense , can also be seen as neoromantics , steeped in a
personal vision of the English landscape , endlessly revisiting and rejecting the
temptations of Victorianism and antiquarianism , returning much more willingly to
their ...
Strana 84
In this sense , Leland's film whose very title implies nostalgia - crystallizes that
urge toward identification and recognition that , as John Caughie suggests , the
discourse of television customarily trades upon , promoting a sense of
transference ...
In this sense , Leland's film whose very title implies nostalgia - crystallizes that
urge toward identification and recognition that , as John Caughie suggests , the
discourse of television customarily trades upon , promoting a sense of
transference ...
Strana 284
scenes from the painter ' s canon the film , rather than simply duplicating the
originals , gives the sense of an entirely painted world that at certain moments
nudges up against the configurations of people and props familiar from the artist '
s ...
scenes from the painter ' s canon the film , rather than simply duplicating the
originals , gives the sense of an entirely painted world that at certain moments
nudges up against the configurations of people and props familiar from the artist '
s ...
Co říkají ostatní - Napsat recenzi
Na obvyklých místech jsme nenalezli žádné recenze.
Obsah
Part I | 5 |
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
Autorská práva | |
Další části 13 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
Běžně se vyskytující výrazy a sousloví
aesthetic American animation appears argues artists audience become Britain British cinema British Film Channel Four characters close collective concerned construction continued course created critical culture desire directed directors dominant economic edited effect England English establishment example experience expressed film's filmmakers forces function Greenaway Hall hand heritage Hope idea identity ideology images independent individual industry Institute Ireland issues Jarman John live London look means memory moral mother movement narrative never particular party past period Peter play police political popular position present Press production Protestant question realism remains representation represents response Russell scene Screen seen sense sexual social society space success suggests takes television Thatcher tion tradition turn United University values vision visual women Workshop Young