British Cinema and Thatcherism: Fires Were StartedLester D. Friedman UCL Press, 1993 - Počet stran: 320 The research, analysis and arguments in this book deliver a collection of essays by some of the most important writers in the field of film studies. British Cinema and Thatcherism is an informed and provocative analysis of the connections between British film in the 1980s and the policies and political ideology of the Conservative government of Margaret Thatcher. It offers a detailed book on the British cinema during the last decade. Films during the Thatcher era bear little resemblance to the adaptations so often associated with British film-making, and show a varying degree of reaction to the dominant Thatcherite political and economic ideology. |
Vyhledávání v knize
Výsledky 1-3 z 63
Strana 141
... suggests the process of popular memory in all its contradictions . I am not suggesting , however , that the depiction of the maternal in The Krays is radical or even necessarily progressive . The film's image of the mother can be ...
... suggests the process of popular memory in all its contradictions . I am not suggesting , however , that the depiction of the maternal in The Krays is radical or even necessarily progressive . The film's image of the mother can be ...
Strana 228
... suggests a fractured , self - destructive , and malaised En- gland that contrasts with the close and potentially lasting bond between Omar and Johnny , a healthy union that bridges diverse communities . Be- cause Prick Up Your Ears was ...
... suggests a fractured , self - destructive , and malaised En- gland that contrasts with the close and potentially lasting bond between Omar and Johnny , a healthy union that bridges diverse communities . Be- cause Prick Up Your Ears was ...
Strana 286
... suggests that sickness need not be shackled to images and terms of weakness and stigma , but may empower a different register of so- cial and artistic health . " After The Last of England , someone came up and said , this film tells the ...
... suggests that sickness need not be shackled to images and terms of weakness and stigma , but may empower a different register of so- cial and artistic health . " After The Last of England , someone came up and said , this film tells the ...
Obsah
Five | 16 |
Modernism in the British Films of the Thatcher | 35 |
Four | 41 |
Autorská práva | |
Další části 13 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Fires Were Started: British Cinema and Thatcherism Lester D. Friedman Náhled není k dispozici. - 1993 |
Běžně se vyskytující výrazy a sousloví
aesthetic American Angry Young Angry Young Men animation artists audience avant-garde Beautiful Laundrette Black Audio black British Britain British cinema British Film Institute British television camera Channel Four characters Chariots of Fire contemporary critical David Derek Jarman directors documentary dominant drama Draughtsman's Contract economic edited eighties English fantasy film culture film industry film's filmmakers genre Greenaway's Handsworth Songs heritage films Hollywood identity ideology images independent Irish John Ken Russell Krays Labour Last of England LAW's Leeds literary live London mainstream Margaret Thatcher Michael modernism moral mother movement narrative Northern Ireland party past period Peter Greenaway Ploughman's Lunch police political popular memory production Protestant realism representation represents Roeg role Russell's Sankofa scene Screen sense sexual shot Sight and Sound social society Stephen Frears suggests Thatcherite Third Cinema tion tradition viewers vision visual women Workshop