Shakespeare: the Dark Comedies to the Last Plays: From Satire to CelebrationUniversity Press of Virginia, 1971 - Počet stran: 186 |
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Strana 2
... Autolycus at least as much as with the relation of art and nature - and a study of the role of Autolycus may prove to throw light on this relation too . The difficulties offered by Cymbeline have seemed to many to be weaknesses in the ...
... Autolycus at least as much as with the relation of art and nature - and a study of the role of Autolycus may prove to throw light on this relation too . The difficulties offered by Cymbeline have seemed to many to be weaknesses in the ...
Strana 137
... Autolycus , and the way in which the simplicity of the Clown shows through his new finery . Yet they are changed too , even though in some sense they remain the same ; clothes seem to make the man , and art in this way conceals , alters ...
... Autolycus , and the way in which the simplicity of the Clown shows through his new finery . Yet they are changed too , even though in some sense they remain the same ; clothes seem to make the man , and art in this way conceals , alters ...
Strana 138
... Autolycus in the twenty - three pages of the chapter .... With other critics the silence is not quite absolute , but Autolycus gets a barest minimum of their attention . Van Doren's chapter on the play has one reference : ' the ...
... Autolycus in the twenty - three pages of the chapter .... With other critics the silence is not quite absolute , but Autolycus gets a barest minimum of their attention . Van Doren's chapter on the play has one reference : ' the ...
Obsah
Shakespeare and satirical comedy | 7 |
Shakespeare and satirical tragedy | 63 |
Shakespeares last plays | 94 |
Autorská práva | |
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Shakespeare: the Dark Comedies to the Last Plays: From Satire to Celebration R. A. Foakes Zobrazení fragmentů - 1971 |
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accept Achilles action actor All's Alonso Angelo and Isabella Antigonus Antonio and Mellida Antonio's Revenge appears Arden edition Ariel audience Autolycus Belarius Bertram Caliban Camillo characters clash Claudio Cloten Clown comic Coriolanus court courtiers Cymbeline dark comedies death disguise dramatic Duke effect essay evil Ferdinand figure Florizel fool fortune Gonzalo Hamlet heavens Hector Helena Henry Hermione hero heroic honour human humour Imogen John Marston Jonson kind King last plays Leontes Lucio lust Macilente magic Malevole marriage Marston masque Measure for Measure Mendoza Milan Miranda moral murder nature opening scene Pandarus Parolles passion Paulina Perdita perspective Pietro Pisanio play's Polixenes Pompey Posthumus present Prospero queen Revenger's Tragedy role satirical says seems seen Sejanus sense Shakespeare shows speak speech stage stance Stephano strange Tempest theatrical thee Thersites thou tonality Trinculo Troilus and Cressida truth virtue vision Winter's Tale Wolsey words