Shakespeare: the Dark Comedies to the Last Plays: From Satire to CelebrationUniversity Press of Virginia, 1971 - Počet stran: 186 |
Vyhledávání v knize
Výsledky 1-3 z 15
Strana 106
... Imogen , and the idea of the power of gold to corrupt is a truism echoed in many plays of the age : Riches , the dumb god , that giv'st all men tongues : Thou canst do nought , and yet mak'st men do all things ; The price of souls ...
... Imogen , and the idea of the power of gold to corrupt is a truism echoed in many plays of the age : Riches , the dumb god , that giv'st all men tongues : Thou canst do nought , and yet mak'st men do all things ; The price of souls ...
Strana 107
... Imogen , and he challenges the Romans in good plain sensible English . Although Cloten provides the most notable ... Imogen relates to this variation in the presentation of characters , and to the arbitrary features of action and ...
... Imogen , and he challenges the Romans in good plain sensible English . Although Cloten provides the most notable ... Imogen relates to this variation in the presentation of characters , and to the arbitrary features of action and ...
Strana 108
... Imogen and Posthumus . They begin the play in the unusual , indeed unique position for Shakespeare's romantic heroes and heroines , of being married . They are at first so perfect , so much the ' loyalest husband ' and wife , that they ...
... Imogen and Posthumus . They begin the play in the unusual , indeed unique position for Shakespeare's romantic heroes and heroines , of being married . They are at first so perfect , so much the ' loyalest husband ' and wife , that they ...
Obsah
Shakespeare and satirical comedy | 7 |
Shakespeare and satirical tragedy | 63 |
Shakespeares last plays | 94 |
Autorská práva | |
Další části 1 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Shakespeare: the Dark Comedies to the Last Plays: From Satire to Celebration R. A. Foakes Zobrazení fragmentů - 1971 |
Běžně se vyskytující výrazy a sousloví
accept Achilles action actor All's Alonso Angelo and Isabella Antigonus Antonio and Mellida Antonio's Revenge appears Arden edition Ariel audience Autolycus Belarius Bertram Caliban Camillo characters clash Claudio Cloten Clown comic Coriolanus court courtiers Cymbeline dark comedies death disguise dramatic Duke effect essay evil Ferdinand figure Florizel fool fortune Gonzalo Hamlet heavens Hector Helena Henry Hermione hero heroic honour human humour Imogen John Marston Jonson kind King last plays Leontes Lucio lust Macilente magic Malevole marriage Marston masque Measure for Measure Mendoza Milan Miranda moral murder nature opening scene Pandarus Parolles passion Paulina Perdita perspective Pietro Pisanio play's Polixenes Pompey Posthumus present Prospero queen Revenger's Tragedy role satirical says seems seen Sejanus sense Shakespeare shows speak speech stage stance Stephano strange Tempest theatrical thee Thersites thou tonality Trinculo Troilus and Cressida truth virtue vision Winter's Tale Wolsey words