Shakespeare: the Dark Comedies to the Last Plays: From Satire to CelebrationUniversity Press of Virginia, 1971 - Počet stran: 186 |
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Strana 64
... concern is not merely detached from but largely contradictory of the underlying pattern of amoral ritual.'2 Both ... concerns . Antonio's Revenge exaggerates to the point of absurdity features of earlier revenge plays , and offers the ...
... concern is not merely detached from but largely contradictory of the underlying pattern of amoral ritual.'2 Both ... concerns . Antonio's Revenge exaggerates to the point of absurdity features of earlier revenge plays , and offers the ...
Strana 111
... concerned , that is to say , for herself , rather as Posthumus was concerned for himself when he thought her false . The image of his ' scriptures ' as ' turn'd to heresy ' is appropriate in this con- nection , for she had worshipped an ...
... concerned , that is to say , for herself , rather as Posthumus was concerned for himself when he thought her false . The image of his ' scriptures ' as ' turn'd to heresy ' is appropriate in this con- nection , for she had worshipped an ...
Strana 162
... concern for the flowering of the human spirit . More- over , the descent of Juno as queen of heaven constitutes a theophany in the play corresponding in some measure with the theophanies in Cymbeline ( the descent of Jupiter ) , and in ...
... concern for the flowering of the human spirit . More- over , the descent of Juno as queen of heaven constitutes a theophany in the play corresponding in some measure with the theophanies in Cymbeline ( the descent of Jupiter ) , and in ...
Obsah
Shakespeare and satirical comedy | 7 |
Shakespeare and satirical tragedy | 63 |
Shakespeares last plays | 94 |
Autorská práva | |
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Shakespeare: the Dark Comedies to the Last Plays: From Satire to Celebration R. A. Foakes Zobrazení fragmentů - 1971 |
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accept Achilles action actor All's Alonso Angelo and Isabella Antigonus Antonio and Mellida Antonio's Revenge appears Arden edition Ariel audience Autolycus Belarius Bertram Caliban Camillo characters clash Claudio Cloten Clown comic Coriolanus court courtiers Cymbeline dark comedies death disguise dramatic Duke effect essay evil Ferdinand figure Florizel fool fortune Gonzalo Hamlet heavens Hector Helena Henry Hermione hero heroic honour human humour Imogen John Marston Jonson kind King last plays Leontes Lucio lust Macilente magic Malevole marriage Marston masque Measure for Measure Mendoza Milan Miranda moral murder nature opening scene Pandarus Parolles passion Paulina Perdita perspective Pietro Pisanio play's Polixenes Pompey Posthumus present Prospero queen Revenger's Tragedy role satirical says seems seen Sejanus sense Shakespeare shows speak speech stage stance Stephano strange Tempest theatrical thee Thersites thou tonality Trinculo Troilus and Cressida truth virtue vision Winter's Tale Wolsey words