Shakespeare: the Dark Comedies to the Last Plays: From Satire to CelebrationUniversity Press of Virginia, 1971 - Počet stran: 186 |
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Výsledky 1-3 z 7
Strana 5
... critical commentaries , or left , so to speak , asleep . So , for example , in Measure for Measure , it is easy to dwell on the powerfully realized scenes involving Angelo and Isabella , and their mutual temptation ' of one another : Is ...
... critical commentaries , or left , so to speak , asleep . So , for example , in Measure for Measure , it is easy to dwell on the powerfully realized scenes involving Angelo and Isabella , and their mutual temptation ' of one another : Is ...
Strana 31
... critical placing of them . The change of key in Act III seems too marked and too abrupt , the revelation of Mariana too easy a way out , and the Duke has too much responsibility as a character here in holding the action together . If ...
... critical placing of them . The change of key in Act III seems too marked and too abrupt , the revelation of Mariana too easy a way out , and the Duke has too much responsibility as a character here in holding the action together . If ...
Strana 58
... critical placing of the characters , and of their attitudes to love , war and honour . It is fitting that the last scene should offer not one but three possible endings to the play , one for the heroic action , one for the love action ...
... critical placing of the characters , and of their attitudes to love , war and honour . It is fitting that the last scene should offer not one but three possible endings to the play , one for the heroic action , one for the love action ...
Obsah
Shakespeare and satirical comedy | 7 |
Shakespeare and satirical tragedy | 63 |
Shakespeares last plays | 94 |
Autorská práva | |
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Další vydání - Zobrazit všechny
Shakespeare: the Dark Comedies to the Last Plays: From Satire to Celebration R. A. Foakes Zobrazení fragmentů - 1971 |
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accept Achilles action actor All's Alonso Angelo and Isabella Antigonus Antonio and Mellida Antonio's Revenge appears Arden edition Ariel audience Autolycus Belarius Bertram Caliban Camillo characters clash Claudio Cloten Clown comic Coriolanus court courtiers Cymbeline dark comedies death disguise dramatic Duke effect essay evil Ferdinand figure Florizel fool fortune Gonzalo Hamlet heavens Hector Helena Henry Hermione hero heroic honour human humour Imogen John Marston Jonson kind King last plays Leontes Lucio lust Macilente magic Malevole marriage Marston masque Measure for Measure Mendoza Milan Miranda moral murder nature opening scene Pandarus Parolles passion Paulina Perdita perspective Pietro Pisanio play's Polixenes Pompey Posthumus present Prospero queen Revenger's Tragedy role satirical says seems seen Sejanus sense Shakespeare shows speak speech stage stance Stephano strange Tempest theatrical thee Thersites thou tonality Trinculo Troilus and Cressida truth virtue vision Winter's Tale Wolsey words