Shakespeare: the Dark Comedies to the Last Plays: From Satire to CelebrationUniversity Press of Virginia, 1971 - Počet stran: 186 |
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Výsledky 1-3 z 40
Strana 41
... speech leads nowhere , for instead of seeking death , he ends by thinking of his ' adored Mellida ' . A little later ... speeches evaporate into silence , or in- activity , and four times in the play Antonio ' falls to the ground ...
... speech leads nowhere , for instead of seeking death , he ends by thinking of his ' adored Mellida ' . A little later ... speeches evaporate into silence , or in- activity , and four times in the play Antonio ' falls to the ground ...
Strana 102
... speech , not arising in any way from the preceding action . The Second Lord's sole function hitherto has been to abuse Cloten . Perhaps the most notable example of such gratuitous speech occurs with the introduction of Belarius in III ...
... speech , not arising in any way from the preceding action . The Second Lord's sole function hitherto has been to abuse Cloten . Perhaps the most notable example of such gratuitous speech occurs with the introduction of Belarius in III ...
Strana 164
... speech here , matching in poignancy and resonance his dismissal of the masque , with the lines beginning ' Our revels now are ended ' ; both speeches express a kind of farewell , and both are moving , with their mood of regret and ...
... speech here , matching in poignancy and resonance his dismissal of the masque , with the lines beginning ' Our revels now are ended ' ; both speeches express a kind of farewell , and both are moving , with their mood of regret and ...
Obsah
Shakespeare and satirical comedy | 7 |
Shakespeare and satirical tragedy | 63 |
Shakespeares last plays | 94 |
Autorská práva | |
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Další vydání - Zobrazit všechny
Shakespeare: the Dark Comedies to the Last Plays: From Satire to Celebration R. A. Foakes Zobrazení fragmentů - 1971 |
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accept Achilles action actor All's Alonso Angelo and Isabella Antigonus Antonio and Mellida Antonio's Revenge appears Arden edition Ariel audience Autolycus Belarius Bertram Caliban Camillo characters clash Claudio Cloten Clown comic Coriolanus court courtiers Cymbeline dark comedies death disguise dramatic Duke effect essay evil Ferdinand figure Florizel fool fortune Gonzalo Hamlet heavens Hector Helena Henry Hermione hero heroic honour human humour Imogen John Marston Jonson kind King last plays Leontes Lucio lust Macilente magic Malevole marriage Marston masque Measure for Measure Mendoza Milan Miranda moral murder nature opening scene Pandarus Parolles passion Paulina Perdita perspective Pietro Pisanio play's Polixenes Pompey Posthumus present Prospero queen Revenger's Tragedy role satirical says seems seen Sejanus sense Shakespeare shows speak speech stage stance Stephano strange Tempest theatrical thee Thersites thou tonality Trinculo Troilus and Cressida truth virtue vision Winter's Tale Wolsey words