The New Zealand Journal of History, Svazky 37–38University of Auckland., 2003 |
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Strana 41
... described himself seeing was like a landscape composition , with scale , drama and implicit emotion : ' the waters fell from rock to rock . . . several times , ere they were swallowed up in the dark eddying gulph below . The deep gloom ...
... described himself seeing was like a landscape composition , with scale , drama and implicit emotion : ' the waters fell from rock to rock . . . several times , ere they were swallowed up in the dark eddying gulph below . The deep gloom ...
Strana 133
... described by the early nineteenth - century visitors , were apparently of recent origin . None had been recorded by the eighteenth - century explorers , while their exotic nature , it can be assumed , would have drawn comment . It has ...
... described by the early nineteenth - century visitors , were apparently of recent origin . None had been recorded by the eighteenth - century explorers , while their exotic nature , it can be assumed , would have drawn comment . It has ...
Strana 139
... described two pieces of carving of trinities , one in ' Union and perfection ' and the other in ' Creation and imperfection ' . He wrote of a trinity upon a storehouse , ' opening the firmament of heaven and Supporting the light of day ...
... described two pieces of carving of trinities , one in ' Union and perfection ' and the other in ' Creation and imperfection ' . He wrote of a trinity upon a storehouse , ' opening the firmament of heaven and Supporting the light of day ...
Obsah
Caroline Daley | 3 |
Ernst Dieffenbach | 22 |
K R Howe Two Worlds? | 50 |
Autorská práva | |
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