HamletYale University Press, 1. 10. 2008 - Počet stran: 249 One of the most frequently read and performed of all stage works, Shakespeare’s Hamlet is unsurpassed in its complexity and richness. Now the first fully annotated version of Hamlet makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound linguistic principles. In his Introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare’s achievement. The book also includes a careful selection of items for “Further Reading.” |
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... Ophelia.There is noneed to set out even the general range of more than three hundred yearsof proposed “solutions.”The earlier periodis neatly recorded, with generous (and quite fascinating) excerpts inHorace Howard Furness's1877 ...
... Ophelia.There is noneed to set out even the general range of more than three hundred yearsof proposed “solutions.”The earlier periodis neatly recorded, with generous (and quite fascinating) excerpts inHorace Howard Furness's1877 ...
Strana
... Ophelia) his comrade, though not his lover. There isthe germ of the character we know as Polonius, too. A friendof Fengo's more subtly tempts Amletha, using the young man's mother asbait.The friend ishiddenin the mother's chambers ...
... Ophelia) his comrade, though not his lover. There isthe germ of the character we know as Polonius, too. A friendof Fengo's more subtly tempts Amletha, using the young man's mother asbait.The friend ishiddenin the mother's chambers ...
Strana
... Ophelia One of the great theatrical directors ofthetwentieth century, Konstantin Stanislavsky, said in 1938 that being called upon to play the leadrolein Hamletremained (he wasaddressing theater people)the “greateststumbling block in ...
... Ophelia One of the great theatrical directors ofthetwentieth century, Konstantin Stanislavsky, said in 1938 that being called upon to play the leadrolein Hamletremained (he wasaddressing theater people)the “greateststumbling block in ...
Strana
... Ophelia. And the actors portraying these latter tworoles are inevitably put in the position ofhaving to dealwith, torepresent, to make dramatically functional, what isintheend not quite representable. My 1996 essay, “Hamletand the ...
... Ophelia. And the actors portraying these latter tworoles are inevitably put in the position ofhaving to dealwith, torepresent, to make dramatically functional, what isintheend not quite representable. My 1996 essay, “Hamletand the ...
Strana
... Ophelia, because he at some points says he is(and what's more was so all along), how dowe deal with hisexpress disclaimers andhisclear indication, after the fact, that his gravesidedeclamation of eternal love forherwas provoked by ...
... Ophelia, because he at some points says he is(and what's more was so all along), how dowe deal with hisexpress disclaimers andhisclear indication, after the fact, that his gravesidedeclamation of eternal love forherwas provoked by ...
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actors appearance Barnardo believe better blood body brother cause Claudius Clown comes command daughter dead dear death Denmark desire doth drink earth Elizabethan England English ENTER excellent EXEUNT EXIT eyes face faith fall Farewell father follow Fortinbras Gertrude Ghost give Guildenstern Hamlet hand hast hath head hear heart heaven hold honor Horatio I’ll inthe keep killed king Laertes leave live look lord madness Marcellus matter means mind mother murder mylord nature needs never night ofthe once Ophelia original Osric play Player Polonius poor pray queen question reason representation revenge Reynaldo Rosencrantz SCENE Shakespeare SINGS sleep soul speak speech stage stand sweet sword tell thee thing thou thought tongue tothe true turn University Press young