HamletYale University Press, 1. 10. 2008 - Počet stran: 249 One of the most frequently read and performed of all stage works, Shakespeare’s Hamlet is unsurpassed in its complexity and richness. Now the first fully annotated version of Hamlet makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound linguistic principles. In his Introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare’s achievement. The book also includes a careful selection of items for “Further Reading.” |
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... ,9 whichcarries them through andthrough10 the most fanned and winnowed11 opinions.And dobutblow them to their trial,12thebubbles areout.13 I believe annotations of this sort create the necessary bridges About This Book.
... ,9 whichcarries them through andthrough10 the most fanned and winnowed11 opinions.And dobutblow them to their trial,12thebubbles areout.13 I believe annotations of this sort create the necessary bridges About This Book.
Strana
... believe, neither language nor literaturewould be well or clearly served. In the interests of compactness andbrevity,I have employed in my annotations (as consistently as I amable) a numberof stylistic and typographical devices: • Words ...
... believe, neither language nor literaturewould be well or clearly served. In the interests of compactness andbrevity,I have employed in my annotations (as consistently as I amable) a numberof stylistic and typographical devices: • Words ...
Strana
... believe so.”He reprimands herforhaving believed him. Sheis sadly but bravely up to thisretort, too: “I was themore deceived.” As Hamlet workshimself into an apparent(?) fit,shegrows desperate—for it isasI havenoted plain thatshehas ...
... believe so.”He reprimands herforhaving believed him. Sheis sadly but bravely up to thisretort, too: “I was themore deceived.” As Hamlet workshimself into an apparent(?) fit,shegrows desperate—for it isasI havenoted plain thatshehas ...
Strana
... believe Without the sensible and true avouch43 Of mine own eyes. Marcellus Is it not like the king? Horatio As thouart to thyself. Such wasthe very armor hehad on60 When he the ambitious Norway combated;44 So frowned he once, when inan ...
... believe Without the sensible and true avouch43 Of mine own eyes. Marcellus Is it not like the king? Horatio As thouart to thyself. Such wasthe very armor hehad on60 When he the ambitious Norway combated;44 So frowned he once, when inan ...
Strana
... no planets strike,119 No fairy takes,120 nor witch hath power to charm,121 So hallowed andsogracious122 is thetime. Horatio So have I heardanddo inpart believe it. 165 But, look, the morn, in russet123 mantle clad, Walks o'er.
... no planets strike,119 No fairy takes,120 nor witch hath power to charm,121 So hallowed andsogracious122 is thetime. Horatio So have I heardanddo inpart believe it. 165 But, look, the morn, in russet123 mantle clad, Walks o'er.
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actors appearance Barnardo believe better blood body brother cause Claudius Clown comes command daughter dead dear death Denmark desire doth drink earth Elizabethan England English ENTER excellent EXEUNT EXIT eyes face faith fall Farewell father follow Fortinbras Gertrude Ghost give Guildenstern Hamlet hand hast hath head hear heart heaven hold honor Horatio I’ll inthe keep killed king Laertes leave live look lord madness Marcellus matter means mind mother murder mylord nature needs never night ofthe once Ophelia original Osric play Player Polonius poor pray queen question reason representation revenge Reynaldo Rosencrantz SCENE Shakespeare SINGS sleep soul speak speech stage stand sweet sword tell thee thing thou thought tongue tothe true turn University Press young