HamletYale University Press, 1. 10. 2008 - Počet stran: 249 One of the most frequently read and performed of all stage works, Shakespeare’s Hamlet is unsurpassed in its complexity and richness. Now the first fully annotated version of Hamlet makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound linguistic principles. In his Introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare’s achievement. The book also includes a careful selection of items for “Further Reading.” |
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Strana
... brother.Too powerless tobe able, asyet, to effectthat revenge, the young man sought refuge, successfully, in pretended madness. Amhlaide ishow Hamlet was named, inthe nextlink in the story, whichis also ourfirst written recordofthe ...
... brother.Too powerless tobe able, asyet, to effectthat revenge, the young man sought refuge, successfully, in pretended madness. Amhlaide ishow Hamlet was named, inthe nextlink in the story, whichis also ourfirst written recordofthe ...
Strana
... brother, Fengo. Fengo then married his brother's widow, Gerutha. Fengo plainly meant to finish hiscapture ofthe throne by murdering Amletha, but the prince pretended insanity (onedid not,could not,killthe mad) and produceda veritable ...
... brother, Fengo. Fengo then married his brother's widow, Gerutha. Fengo plainly meant to finish hiscapture ofthe throne by murdering Amletha, but the prince pretended insanity (onedid not,could not,killthe mad) and produceda veritable ...
Strana
... brother. Does Ophelia tamely, servilely agree? Not abitof it. “Do you doubt that?” she throws backat him.He tells herat great length,and in conventionally masculinelanguage, to be wary of Hamlet, ending, “No more.” Does she accept his ...
... brother. Does Ophelia tamely, servilely agree? Not abitof it. “Do you doubt that?” she throws backat him.He tells herat great length,and in conventionally masculinelanguage, to be wary of Hamlet, ending, “No more.” Does she accept his ...
Strana
... brother does not exercise the same dispositive powerover a younger, female sibling that a fatherwields (though once a father dies,the brother,absenta husband, assumesapaternalistic role). “I do notknow,my lord,”Opheliaquite properly ...
... brother does not exercise the same dispositive powerover a younger, female sibling that a fatherwields (though once a father dies,the brother,absenta husband, assumesapaternalistic role). “I do notknow,my lord,”Opheliaquite properly ...
Strana
... brother is abroad.) Ophelia's world has been shaken,and thenithas been cracked. There is,for her and for otherElizabethan women in similar circumstances, nopathway out ofdespairand hopelessness. As Horatio says ofHamlet, immediately ...
... brother is abroad.) Ophelia's world has been shaken,and thenithas been cracked. There is,for her and for otherElizabethan women in similar circumstances, nopathway out ofdespairand hopelessness. As Horatio says ofHamlet, immediately ...
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actors appearance Barnardo believe better blood body brother cause Claudius Clown comes command daughter dead dear death Denmark desire doth drink earth Elizabethan England English ENTER excellent EXEUNT EXIT eyes face faith fall Farewell father follow Fortinbras Gertrude Ghost give Guildenstern Hamlet hand hast hath head hear heart heaven hold honor Horatio I’ll inthe keep killed king Laertes leave live look lord madness Marcellus matter means mind mother murder mylord nature needs never night ofthe once Ophelia original Osric play Player Polonius poor pray queen question reason representation revenge Reynaldo Rosencrantz SCENE Shakespeare SINGS sleep soul speak speech stage stand sweet sword tell thee thing thou thought tongue tothe true turn University Press young