HamletYale University Press, 1. 10. 2008 - Počet stran: 249 One of the most frequently read and performed of all stage works, Shakespeare’s Hamlet is unsurpassed in its complexity and richness. Now the first fully annotated version of Hamlet makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound linguistic principles. In his Introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare’s achievement. The book also includes a careful selection of items for “Further Reading.” |
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... comes to words like “dote,” those who are notfamiliar with themodern meaning willeasily find a clear, simple definition in any modern dictionary. Andthey may be obligedtomake fairly frequent useofsuch a dictionary: thereare a good ...
... comes to words like “dote,” those who are notfamiliar with themodern meaning willeasily find a clear, simple definition in any modern dictionary. Andthey may be obligedtomake fairly frequent useofsuch a dictionary: thereare a good ...
Strana
... comes closetothis large a stage presence. Hissolo appearances, of course, inhis justly famous monologues, are both a special dramaticchallenge andamagnificent dramatic opportunity.Ophelia, indeed,appears only17 percent ofthe time, and ...
... comes closetothis large a stage presence. Hissolo appearances, of course, inhis justly famous monologues, are both a special dramaticchallenge andamagnificent dramatic opportunity.Ophelia, indeed,appears only17 percent ofthe time, and ...
Strana
... come, He may approve18 our eyes and speakto it. Horatio Tush,tush, 'twillnot appear. Barnardo Sit down awhile; 30 And let usonceagain assail19your ears, That are so fortified ... comes again! Barnardo In the same figure like26 like the king.
... come, He may approve18 our eyes and speakto it. Horatio Tush,tush, 'twillnot appear. Barnardo Sit down awhile; 30 And let usonceagain assail19your ears, That are so fortified ... comes again! Barnardo In the same figure like26 like the king.
Strana
... Comes armèd throughour watch so likethe king That was and is thequestion89 of thesewars. Horatio Amoteit is totrouble the mind's eye.90 In the most high and palmy91 state of Rome, Alittle erethe mightiest Juliusfell, 115 The graves ...
... Comes armèd throughour watch so likethe king That was and is thequestion89 of thesewars. Horatio Amoteit is totrouble the mind's eye.90 In the most high and palmy91 state of Rome, Alittle erethe mightiest Juliusfell, 115 The graves ...
Strana
... comes Wherein our Saviour's birth is celebrated, The bird of dawning singethall night long,160 And then,they say, nospirit dares stir abroad, The nightsare wholesome, then, no planets strike,119 No fairy takes,120 nor witch hath power ...
... comes Wherein our Saviour's birth is celebrated, The bird of dawning singethall night long,160 And then,they say, nospirit dares stir abroad, The nightsare wholesome, then, no planets strike,119 No fairy takes,120 nor witch hath power ...
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actors appearance Barnardo believe better blood body brother cause Claudius Clown comes command daughter dead dear death Denmark desire doth drink earth Elizabethan England English ENTER excellent EXEUNT EXIT eyes face faith fall Farewell father follow Fortinbras Gertrude Ghost give Guildenstern Hamlet hand hast hath head hear heart heaven hold honor Horatio I’ll inthe keep killed king Laertes leave live look lord madness Marcellus matter means mind mother murder mylord nature needs never night ofthe once Ophelia original Osric play Player Polonius poor pray queen question reason representation revenge Reynaldo Rosencrantz SCENE Shakespeare SINGS sleep soul speak speech stage stand sweet sword tell thee thing thou thought tongue tothe true turn University Press young