HamletYale University Press, 1. 10. 2008 - Počet stran: 249 One of the most frequently read and performed of all stage works, Shakespeare’s Hamlet is unsurpassed in its complexity and richness. Now the first fully annotated version of Hamlet makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound linguistic principles. In his Introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare’s achievement. The book also includes a careful selection of items for “Further Reading.” |
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... hand. My procedure, since this an editionprimarily intended for use in schools and colleges, and secondarily by thosenot attending schooland desiring more textualhelpthan anything but anannotated editioncansupply, has been as follows: I ...
... hand. My procedure, since this an editionprimarily intended for use in schools and colleges, and secondarily by thosenot attending schooland desiring more textualhelpthan anything but anannotated editioncansupply, has been as follows: I ...
Strana
... hands himbackhis presents, obliging him thereby to grudgingly accept them. This isclearly forcefulin both languageand action. Hamlet continues hisrude, abrupt speech,but Ophelia stillmeets him ably, matching him onhis own high ...
... hands himbackhis presents, obliging him thereby to grudgingly accept them. This isclearly forcefulin both languageand action. Hamlet continues hisrude, abrupt speech,but Ophelia stillmeets him ably, matching him onhis own high ...
Strana
... some enterprise That hatha stomach in't;81 which isno other– 100 As it doth well appear unto our state82 – But83 to recover ofus,bystrong hand And terms compulsatory, thoseforesaid lands So by his father lost. And this, I take it,
... some enterprise That hatha stomach in't;81 which isno other– 100 As it doth well appear unto our state82 – But83 to recover ofus,bystrong hand And terms compulsatory, thoseforesaid lands So by his father lost. And this, I take it,
Strana
... hand more instrumental25 to the mouth, Than is the throne of Denmark to thy father. What wouldst thou have, Laertes? 50 Laertes My dread26 lord, Your leave andfavor27 toreturn to France,28 From whence though willingly Icame to Denmark ...
... hand more instrumental25 to the mouth, Than is the throne of Denmark to thy father. What wouldst thou have, Laertes? 50 Laertes My dread26 lord, Your leave andfavor27 toreturn to France,28 From whence though willingly Icame to Denmark ...
Strana
... hands. Horatio Be ruled.52 You shall not go. Hamlet My fate cries out And makes eachpetty artere53 inthisbody As hardy54 asthe Nemean lion'snerve.55 Still amI called. Unhand me, gentlemen. By heaven, I'll make a ghost of him that lets ...
... hands. Horatio Be ruled.52 You shall not go. Hamlet My fate cries out And makes eachpetty artere53 inthisbody As hardy54 asthe Nemean lion'snerve.55 Still amI called. Unhand me, gentlemen. By heaven, I'll make a ghost of him that lets ...
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actors appearance Barnardo believe better blood body brother cause Claudius Clown comes command daughter dead dear death Denmark desire doth drink earth Elizabethan England English ENTER excellent EXEUNT EXIT eyes face faith fall Farewell father follow Fortinbras Gertrude Ghost give Guildenstern Hamlet hand hast hath head hear heart heaven hold honor Horatio I’ll inthe keep killed king Laertes leave live look lord madness Marcellus matter means mind mother murder mylord nature needs never night ofthe once Ophelia original Osric play Player Polonius poor pray queen question reason representation revenge Reynaldo Rosencrantz SCENE Shakespeare SINGS sleep soul speak speech stage stand sweet sword tell thee thing thou thought tongue tothe true turn University Press young