HamletYale University Press, 1. 10. 2008 - Počet stran: 249 One of the most frequently read and performed of all stage works, Shakespeare’s Hamlet is unsurpassed in its complexity and richness. Now the first fully annotated version of Hamlet makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound linguistic principles. In his Introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare’s achievement. The book also includes a careful selection of items for “Further Reading.” |
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... hear from you,” says her brother. Does Ophelia tamely, servilely agree? Not abitof it. “Do you doubt that?” she throws backat him.He tells herat great length,and in conventionally masculinelanguage, to be wary of Hamlet, ending, “No ...
... hear from you,” says her brother. Does Ophelia tamely, servilely agree? Not abitof it. “Do you doubt that?” she throws backat him.He tells herat great length,and in conventionally masculinelanguage, to be wary of Hamlet, ending, “No ...
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... hear, plainly gavedramatic performances careful, detailed attention. Forsome closer examination of such matters, see Burton Raffel,“Who HeardtheRhymes and How: Shakespeare's Dramaturgical Signals,” Oral Tradition 11 (October 1996): 190 ...
... hear, plainly gavedramatic performances careful, detailed attention. Forsome closer examination of such matters, see Burton Raffel,“Who HeardtheRhymes and How: Shakespeare's Dramaturgical Signals,” Oral Tradition 11 (October 1996): 190 ...
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... hear them. Stand, ho!7 Who sthere? Horatio Friends to this ground.8 15 Marcellus And liegemen9 to the Dane.10 Francisco Give you good night.11 Marcellus O, farewell, honest12 soldier: Who hath relieved you? Francisco.
... hear them. Stand, ho!7 Who sthere? Horatio Friends to this ground.8 15 Marcellus And liegemen9 to the Dane.10 Francisco Give you good night.11 Marcellus O, farewell, honest12 soldier: Who hath relieved you? Francisco.
Strana
... hear Barnardo speakofthis. Barnardo Last night ofall,20 35 When yond same starthat's westward from the pole21 Had made his course t'illume22 that part ofheaven Wherenowit burns, Marcellus andmyself, The bellthen beating one23 ...
... hear Barnardo speakofthis. Barnardo Last night ofall,20 35 When yond same starthat's westward from the pole21 Had made his course t'illume22 that part ofheaven Wherenowit burns, Marcellus andmyself, The bellthen beating one23 ...
Strana
... hears Of this his nephew's purpose, – to suppress 30 His further gait15herein, in that thelevies,16 The listsand fullproportions,17 are allmade Out of his subject:18 Andwehere dispatch You, good Cornelius, and you,Voltimand, For bearers ...
... hears Of this his nephew's purpose, – to suppress 30 His further gait15herein, in that thelevies,16 The listsand fullproportions,17 are allmade Out of his subject:18 Andwehere dispatch You, good Cornelius, and you,Voltimand, For bearers ...
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actors appearance Barnardo believe better blood body brother cause Claudius Clown comes command daughter dead dear death Denmark desire doth drink earth Elizabethan England English ENTER excellent EXEUNT EXIT eyes face faith fall Farewell father follow Fortinbras Gertrude Ghost give Guildenstern Hamlet hand hast hath head hear heart heaven hold honor Horatio I’ll inthe keep killed king Laertes leave live look lord madness Marcellus matter means mind mother murder mylord nature needs never night ofthe once Ophelia original Osric play Player Polonius poor pray queen question reason representation revenge Reynaldo Rosencrantz SCENE Shakespeare SINGS sleep soul speak speech stage stand sweet sword tell thee thing thou thought tongue tothe true turn University Press young