HamletYale University Press, 1. 10. 2008 - Počet stran: 249 One of the most frequently read and performed of all stage works, Shakespeare’s Hamlet is unsurpassed in its complexity and richness. Now the first fully annotated version of Hamlet makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound linguistic principles. In his Introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare’s achievement. The book also includes a careful selection of items for “Further Reading.” |
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Strana
... need explanation for the modern reader. But what needs even more, and far more detailed,explanation arethevery words. 'A didcomply with hisdug, before 'a suckedit.Thus hashe,and many moreofthesamebevy thatI knowthe drossyage doteson ...
... need explanation for the modern reader. But what needs even more, and far more detailed,explanation arethevery words. 'A didcomply with hisdug, before 'a suckedit.Thus hashe,and many moreofthesamebevy thatI knowthe drossyage doteson ...
Strana
... needs saying: “not the same freshmen.”(Theessay appearsinPalo AltoReview, Fall 2001.)In glossing prosody, asin glossing words,Ibelieve we haveno choice but todeal with the students we actually have, not with the largely no longer extant ...
... needs saying: “not the same freshmen.”(Theessay appearsinPalo AltoReview, Fall 2001.)In glossing prosody, asin glossing words,Ibelieve we haveno choice but todeal with the students we actually have, not with the largely no longer extant ...
Strana
... need toknow inordertokeep thedramatic action in motion. But thedimensions ofthe characters varyimmensely, and only two—Hamlet andOphelia—seem tomedeeply three dimensional. Thatis, Claudius, Polonius, Laertes, Horatio, Rosencrantz and ...
... need toknow inordertokeep thedramatic action in motion. But thedimensions ofthe characters varyimmensely, and only two—Hamlet andOphelia—seem tomedeeply three dimensional. Thatis, Claudius, Polonius, Laertes, Horatio, Rosencrantz and ...
Strana
... needs to be no particular mysteryattached tothese characters, noris there. The greater mystery is of course Hamlet;the lesserand rather neglected(or misperceived) mystery is Ophelia. And the actors portraying these latter tworoles are ...
... needs to be no particular mysteryattached tothese characters, noris there. The greater mystery is of course Hamlet;the lesserand rather neglected(or misperceived) mystery is Ophelia. And the actors portraying these latter tworoles are ...
Strana
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actors appearance Barnardo believe better blood body brother cause Claudius Clown comes command daughter dead dear death Denmark desire doth drink earth Elizabethan England English ENTER excellent EXEUNT EXIT eyes face faith fall Farewell father follow Fortinbras Gertrude Ghost give Guildenstern Hamlet hand hast hath head hear heart heaven hold honor Horatio I’ll inthe keep killed king Laertes leave live look lord madness Marcellus matter means mind mother murder mylord nature needs never night ofthe once Ophelia original Osric play Player Polonius poor pray queen question reason representation revenge Reynaldo Rosencrantz SCENE Shakespeare SINGS sleep soul speak speech stage stand sweet sword tell thee thing thou thought tongue tothe true turn University Press young