HamletYale University Press, 1. 10. 2008 - Počet stran: 249 One of the most frequently read and performed of all stage works, Shakespeare’s Hamlet is unsurpassed in its complexity and richness. Now the first fully annotated version of Hamlet makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound linguistic principles. In his Introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare’s achievement. The book also includes a careful selection of items for “Further Reading.” |
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... choice but todeal with the students we actually have, not with the largely no longer extant students we either once hador deeply wish we still had. Itis my belief thatwe will not have such students again. The notation used in.
... choice but todeal with the students we actually have, not with the largely no longer extant students we either once hador deeply wish we still had. Itis my belief thatwe will not have such students again. The notation used in.
Strana
... Once again, there is no exactitude in the dating, but atsome point after 1598 Shakespeare appearsto have been called upon, ashemorethan likely oftenwas (beinga “house” dramatist), to “update” the lost predecessor Hamlet. That play had ...
... Once again, there is no exactitude in the dating, but atsome point after 1598 Shakespeare appearsto have been called upon, ashemorethan likely oftenwas (beinga “house” dramatist), to “update” the lost predecessor Hamlet. That play had ...
Strana
... once again, why Hamlethesitates ashe does. Ifwe speculate that he is neuroticallyunabletoact, what dowe do with his instantaneous dispatchingof Polonius or his brilliantly and promptly executed counterplot,in defeating theKing's ...
... once again, why Hamlethesitates ashe does. Ifwe speculate that he is neuroticallyunabletoact, what dowe do with his instantaneous dispatchingof Polonius or his brilliantly and promptly executed counterplot,in defeating theKing's ...
Strana
... once a father dies,the brother,absenta husband, assumesapaternalistic role). “I do notknow,my lord,”Opheliaquite properly tells her father, “what I should think.” Poloniusis brusque and lordly with her. She does not, however ...
... once a father dies,the brother,absenta husband, assumesapaternalistic role). “I do notknow,my lord,”Opheliaquite properly tells her father, “what I should think.” Poloniusis brusque and lordly with her. She does not, however ...
Strana
... once.” Her response,once again,isdirect and stalwart: “Indeed,mylord, you made me believe so.”He reprimands herforhaving believed him. Sheis sadly but bravely up to thisretort, too: “I was themore deceived.” As Hamlet workshimself into ...
... once.” Her response,once again,isdirect and stalwart: “Indeed,mylord, you made me believe so.”He reprimands herforhaving believed him. Sheis sadly but bravely up to thisretort, too: “I was themore deceived.” As Hamlet workshimself into ...
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actors appearance Barnardo believe better blood body brother cause Claudius Clown comes command daughter dead dear death Denmark desire doth drink earth Elizabethan England English ENTER excellent EXEUNT EXIT eyes face faith fall Farewell father follow Fortinbras Gertrude Ghost give Guildenstern Hamlet hand hast hath head hear heart heaven hold honor Horatio I’ll inthe keep killed king Laertes leave live look lord madness Marcellus matter means mind mother murder mylord nature needs never night ofthe once Ophelia original Osric play Player Polonius poor pray queen question reason representation revenge Reynaldo Rosencrantz SCENE Shakespeare SINGS sleep soul speak speech stage stand sweet sword tell thee thing thou thought tongue tothe true turn University Press young