HamletYale University Press, 1. 10. 2008 - Počet stran: 249 One of the most frequently read and performed of all stage works, Shakespeare’s Hamlet is unsurpassed in its complexity and richness. Now the first fully annotated version of Hamlet makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound linguistic principles. In his Introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare’s achievement. The book also includes a careful selection of items for “Further Reading.” |
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... . 255 I doubt131 some foul play. Would the night were come! Till then sit still, my soul. Foul deeds will rise, Though all the earth o'erwhelm132 them, to men's eyes. EXIT SCENE 3 A room ENTER LAERTES AND OPHELIA Laertes My.
... . 255 I doubt131 some foul play. Would the night were come! Till then sit still, my soul. Foul deeds will rise, Though all the earth o'erwhelm132 them, to men's eyes. EXIT SCENE 3 A room ENTER LAERTES AND OPHELIA Laertes My.
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... soul with hoops of steel, But do not dull thy palm46 with entertainment47 Of each newhatched, unfledged courage.48 Beware 65 65 Of entranceto a quarrel, but beingin Bear't49 that the opposèd may beware ofthee. Give every man thy ear ...
... soul with hoops of steel, But do not dull thy palm46 with entertainment47 Of each newhatched, unfledged courage.48 Beware 65 65 Of entranceto a quarrel, but beingin Bear't49 that the opposèd may beware ofthee. Give every man thy ear ...
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... night hideous andwe foolsof nature41 So horridly to shake our disposition4255 With thoughts beyondthereaches ofour souls? Say, why is this? Wherefore? Whatshould we do? GHOST BECKONS HAMLET Horatio It beckons you to go away with it, As.
... night hideous andwe foolsof nature41 So horridly to shake our disposition4255 With thoughts beyondthereaches ofour souls? Say, why is this? Wherefore? Whatshould we do? GHOST BECKONS HAMLET Horatio It beckons you to go away with it, As.
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... soul, what can it do to that, Being athing immortal as itself? It wavesme forth again. I'll follow it. Horatio What if it temptyou toward the flood,47 my lord, 70 Or to the dreadful summit of the cliff That beetles o'er his base48 into ...
... soul, what can it do to that, Being athing immortal as itself? It wavesme forth again. I'll follow it. Horatio What if it temptyou toward the flood,47 my lord, 70 Or to the dreadful summit of the cliff That beetles o'er his base48 into ...
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... soul,freeze thy young blood, Make thy two eyes, like stars, start8 from their spheres,9 Thy knotted and combinèd10 locks topart11 And each particular hairto standon end, Like quills upon the fretful porpentine.12 20 But this eternal ...
... soul,freeze thy young blood, Make thy two eyes, like stars, start8 from their spheres,9 Thy knotted and combinèd10 locks topart11 And each particular hairto standon end, Like quills upon the fretful porpentine.12 20 But this eternal ...
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actors appearance Barnardo believe better blood body brother cause Claudius Clown comes command daughter dead dear death Denmark desire doth drink earth Elizabethan England English ENTER excellent EXEUNT EXIT eyes face faith fall Farewell father follow Fortinbras Gertrude Ghost give Guildenstern Hamlet hand hast hath head hear heart heaven hold honor Horatio I’ll inthe keep killed king Laertes leave live look lord madness Marcellus matter means mind mother murder mylord nature needs never night ofthe once Ophelia original Osric play Player Polonius poor pray queen question reason representation revenge Reynaldo Rosencrantz SCENE Shakespeare SINGS sleep soul speak speech stage stand sweet sword tell thee thing thou thought tongue tothe true turn University Press young