HamletYale University Press, 1. 10. 2008 - Počet stran: 249 One of the most frequently read and performed of all stage works, Shakespeare’s Hamlet is unsurpassed in its complexity and richness. Now the first fully annotated version of Hamlet makes the play completely accessible to readers in the twenty-first century. It has been carefully assembled with students, teachers, and the general reader in mind. Eminent linguist and translator Burton Raffel offers generous help with vocabulary and usage of Elizabethan English, pronunciation, prosody, and alternative readings of phrases and lines. His on-page annotations provide readers with all the tools they need to comprehend the play and begin to explore its many possible interpretations. This version of Hamlet is unparalleled for its thoroughness and adherence to sound linguistic principles. In his Introduction, Raffel offers important background on the origins and previous versions of the Hamlet story, along with an analysis of the characters Hamlet and Ophelia. And in a concluding essay, Harold Bloom meditates on the originality of Shakespeare’s achievement. The book also includes a careful selection of items for “Further Reading.” |
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William Shakespeare Burton Raffel. CONTENTS. About This Book Introduction Some Essentials of the Shakespearean Stage The Tragedy of Hamlet, Prince of Denmark An Essay by Harold Bloom Further Reading Finding List ABOUT THIS BOOK Written four ...
William Shakespeare Burton Raffel. CONTENTS. About This Book Introduction Some Essentials of the Shakespearean Stage The Tragedy of Hamlet, Prince of Denmark An Essay by Harold Bloom Further Reading Finding List ABOUT THIS BOOK Written four ...
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... stage to be accounted for, as best we can, in this prehistory of Hamlet. Once again, there is no exactitude in the dating, but atsome point after 1598 Shakespeare appearsto have been called upon, ashemorethan likely oftenwas (beinga ...
... stage to be accounted for, as best we can, in this prehistory of Hamlet. Once again, there is no exactitude in the dating, but atsome point after 1598 Shakespeare appearsto have been called upon, ashemorethan likely oftenwas (beinga ...
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... stage it) are alwaysaware, precisely and clearly, of what we need toknow inordertokeep thedramatic action in motion. But thedimensions ofthe characters varyimmensely, and only two—Hamlet andOphelia—seem tomedeeply three dimensional ...
... stage it) are alwaysaware, precisely and clearly, of what we need toknow inordertokeep thedramatic action in motion. But thedimensions ofthe characters varyimmensely, and only two—Hamlet andOphelia—seem tomedeeply three dimensional ...
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... stage, in the fourth of the play's five acts, heisnevertheless by a rough count on stage (usually but not always with other characters) during 66 percentofa performance ofthe full text.No othercharacter in theplay comes closetothis ...
... stage, in the fourth of the play's five acts, heisnevertheless by a rough count on stage (usually but not always with other characters) during 66 percentofa performance ofthe full text.No othercharacter in theplay comes closetothis ...
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... stage time: Isabella and theDuke both aretobe seen roughly 44 percentofthetime, andAngelo 30percent. All of these figures are no more than approximations, but theyare similarly derived and at least comparable, eachtothe other. And ...
... stage time: Isabella and theDuke both aretobe seen roughly 44 percentofthetime, andAngelo 30percent. All of these figures are no more than approximations, but theyare similarly derived and at least comparable, eachtothe other. And ...
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actors appearance Barnardo believe better blood body brother cause Claudius Clown comes command daughter dead dear death Denmark desire doth drink earth Elizabethan England English ENTER excellent EXEUNT EXIT eyes face faith fall Farewell father follow Fortinbras Gertrude Ghost give Guildenstern Hamlet hand hast hath head hear heart heaven hold honor Horatio I’ll inthe keep killed king Laertes leave live look lord madness Marcellus matter means mind mother murder mylord nature needs never night ofthe once Ophelia original Osric play Player Polonius poor pray queen question reason representation revenge Reynaldo Rosencrantz SCENE Shakespeare SINGS sleep soul speak speech stage stand sweet sword tell thee thing thou thought tongue tothe true turn University Press young