Television and RadioAppleton-Century-Crofts, 1963 - Počet stran: 659 |
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Výsledky 1-3 z 78
Strana 148
... ( minutes and seconds ) ( minutes ) Prime Time Non - Prime Time 5 1:00 1:15 10 2:00 2:10 15 2:30 3:00 25 2:50 4:00 30 3:00 4:15 45 4:30 5:45 60 6:00 7:00 Prime Time ( Definition : A continuous period of not less than three hours of each ...
... ( minutes and seconds ) ( minutes ) Prime Time Non - Prime Time 5 1:00 1:15 10 2:00 2:10 15 2:30 3:00 25 2:50 4:00 30 3:00 4:15 45 4:30 5:45 60 6:00 7:00 Prime Time ( Definition : A continuous period of not less than three hours of each ...
Strana 290
... minutes later and two minutes before you should be through ; " 28 " one minute to go ; and " 29 , " the end of the talk . While you are broadcasting , adjustments in pace may be made , by eliminating one or more of the tentative cuts ...
... minutes later and two minutes before you should be through ; " 28 " one minute to go ; and " 29 , " the end of the talk . While you are broadcasting , adjustments in pace may be made , by eliminating one or more of the tentative cuts ...
Strana 491
... minutes long ; an hour drama fifty - three - and - a - half minutes , including opening and closing titles and credits as well as commercial billboards . Rehearsal periods prior to pro- duction are established and fairly inflexible ...
... minutes long ; an hour drama fifty - three - and - a - half minutes , including opening and closing titles and credits as well as commercial billboards . Rehearsal periods prior to pro- duction are established and fairly inflexible ...
Obsah
Social Aspects of Broadcasting | 3 |
The Growth of American Radio | 20 |
The Rise of Television | 42 |
Autorská práva | |
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actors ad lib advertising affiliated agencies American ANNCR announcer ARLENE FRANCIS audience audio camera CBS Television Cheez Whiz close-up color commercial Commission Company control room developed director disc jockey drama educational Electro-Voice engineer entertainment equipment example Federal Communications Commission film frequency grams interviews kinescope license listening live material ment microphone minutes National Broadcasting Company network programs newscasts operation performers person pick-up picture play popular presented production public interest radio and television radio programs radio stations records rehearsal responsibility scene schedule script shot signal sound effects speaker speech sponsor staff standards story studio talent talk tape technique tele telecast telephone television and radio television programs television stations tion transmitters United viewer voice WOMAN York