Passion Made Public: Elizabethan Lyric, Gender, and Performance

Aeneas aesthetic appears Arraignment artistic association attempt audience authority beauty becomes Berowne characters claims complex context court courtly create critical cultural death desire Dido Dido's discourse discussion drama earlier echo Elizabeth Elizabethan emphasizes English erotic especially female feminine fiction figure final Gascoigne Gascoigne's gender gives ideal implies ironic king ladies language later less limits lines literary lords Love's Labour's Lost lovers lyric poetry male Marlowe Marlowe's marriage means misogyny moral Moreover move narrative nature notes obviously Paris particular passion Peele Peele's performance perspective Petrarchan play play's poem poet poetic political position potential praise present queen reading regards remains representation represented rhetoric role scene seems sense serve sexual Shakespeare's shift social song sonnet sovereign sovereignty speaker speech stage story style suggests tion tradition turn verse vision voice woman women writing