More Power to YouApplause, 2002 - Počet stran: 185 More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
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Strana 41
... certainly not by Hagen , Benedetti , or McGaw.15 Nor did I broach the subject in my first acting book ( Acting Power ) of 1978. Indeed , it would take a brave American in the heyday of the Actors Studio— the 50s , 60s , or 70s - to even ...
... certainly not by Hagen , Benedetti , or McGaw.15 Nor did I broach the subject in my first acting book ( Acting Power ) of 1978. Indeed , it would take a brave American in the heyday of the Actors Studio— the 50s , 60s , or 70s - to even ...
Strana 58
... certainly flourished in the ensuing decades , with its most remarkable progenitor at the moment certainly Anna Deveare Smith . For this early venture , Marilyn Mooney ( now opera librettist Marilyn Hall ) was a crucial collaborator ...
... certainly flourished in the ensuing decades , with its most remarkable progenitor at the moment certainly Anna Deveare Smith . For this early venture , Marilyn Mooney ( now opera librettist Marilyn Hall ) was a crucial collaborator ...
Strana 88
... certainly ingredients , but not , necessarily the dominating ones . Drama , which is generally an art in which people talking ( actors ) simulate people talking ( characters ) , does not have to depend on liter- ary grammars ; drama ...
... certainly ingredients , but not , necessarily the dominating ones . Drama , which is generally an art in which people talking ( actors ) simulate people talking ( characters ) , does not have to depend on liter- ary grammars ; drama ...
Obsah
Introduction | 2 |
CHAPTER | 11 |
Putting a Tree in a | 65 |
Autorská práva | |
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acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal Richard Burbage role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York