More Power to YouApplause, 2002 - Počet stran: 185 More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
Vyhledávání v knize
Výsledky 1-3 z 50
Strana 14
... character's . Only the actor's blood ( and phlegm , bile , neurons , and hormones ) can actually move ; only the actor has a character's “ chemistry . ” The character , prior to the performance , is merely a literary artifact . The ...
... character's . Only the actor's blood ( and phlegm , bile , neurons , and hormones ) can actually move ; only the actor has a character's “ chemistry . ” The character , prior to the performance , is merely a literary artifact . The ...
Strana 26
... character ) doesn't want to " build a speech , " she wants to arrange a meeting which she fails to do . And the ... character from the text : a " real " person would be making a “ real ” offer and a “ real ” sacrifice with each of these ...
... character ) doesn't want to " build a speech , " she wants to arrange a meeting which she fails to do . And the ... character from the text : a " real " person would be making a “ real ” offer and a “ real ” sacrifice with each of these ...
Strana 55
... character acting is not character acting at all , but only a form of character assassination . I believe the reason why this should be so is this : we ( all people ) inherently think of ourselves as perfect , and superior to other ...
... character acting is not character acting at all , but only a form of character assassination . I believe the reason why this should be so is this : we ( all people ) inherently think of ourselves as perfect , and superior to other ...
Obsah
Introduction | 2 |
CHAPTER | 11 |
Putting a Tree in a | 65 |
Autorská práva | |
Další části 3 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal Richard Burbage role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York