More Power to YouApplause, 2002 - Počet stran: 185 More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
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Strana 12
... force his soul " into a physiological state ordinary persons cannot will themselves into . But this is , at the moment , " monstrous " in Hamlet's mind , and for two reasons : first , because Hamlet cannot so force his soul ( “ I know ...
... force his soul " into a physiological state ordinary persons cannot will themselves into . But this is , at the moment , " monstrous " in Hamlet's mind , and for two reasons : first , because Hamlet cannot so force his soul ( “ I know ...
Strana 32
... force of an utterance , its weight , its obnoxious- ness , its intended friendliness or hostility . It also signals the speaker's intention to con- tinue or to halt , or to give the floor to an interlocutor . " 1 And as to its ubiquity ...
... force of an utterance , its weight , its obnoxious- ness , its intended friendliness or hostility . It also signals the speaker's intention to con- tinue or to halt , or to give the floor to an interlocutor . " 1 And as to its ubiquity ...
Strana 145
... force from an uncompromised , penetrat- ing analysis of the human predicament ; a play which will excite empathic ... forces he lets loose . Shakespeare did much the same in Macbeth and King Lear . Oedipus is not a “ king , ” with all ...
... force from an uncompromised , penetrat- ing analysis of the human predicament ; a play which will excite empathic ... forces he lets loose . Shakespeare did much the same in Macbeth and King Lear . Oedipus is not a “ king , ” with all ...
Obsah
Introduction | 2 |
CHAPTER | 11 |
Putting a Tree in a | 65 |
Autorská práva | |
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acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal Richard Burbage role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York