More Power to YouApplause, 2002 - Počet stran: 185 More Power to You is acting guru Robert Cohen's follow-up act to his now legendary Acting Power. Now, More Power to You brings together Cohen's most important writing on performance, plays and productions. Among the diverse subjects the reader will learn about are, that Shakespeare's actors cried real tears (and had their methods on how to make the tears flow); that Hamlet was sixteen; what that secret is that British actors have for running off with all the American stage awards, and why kidnapped heiress Patty Hearst robbed that bank (and what that has to do with a book on theatre!). |
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Strana 25
... specific meeting times until finally , realizing her build of specific demands is going nowhere , she abandons this tactic and retreats to pleading ( " I prithee " ) for a much more general commitment ( " within three days ...
... specific meeting times until finally , realizing her build of specific demands is going nowhere , she abandons this tactic and retreats to pleading ( " I prithee " ) for a much more general commitment ( " within three days ...
Strana 95
... specific textual evidence , among other indications , to support this . I cannot pretend that this viewpoint has taken hold in the scholarly community , or even among my friends ; I am not aware of a single published citation — or even ...
... specific textual evidence , among other indications , to support this . I cannot pretend that this viewpoint has taken hold in the scholarly community , or even among my friends ; I am not aware of a single published citation — or even ...
Strana 154
... specific allusions which indicate that Godot is Christ , referring to the Bible , to Beckett's early works , and to the French version of this play in contrast to the English ( both of course written by Beckett ) . The passage is in Act ...
... specific allusions which indicate that Godot is Christ , referring to the Bible , to Beckett's early works , and to the French version of this play in contrast to the English ( both of course written by Beckett ) . The passage is in Act ...
Obsah
Introduction | 2 |
CHAPTER | 11 |
Putting a Tree in a | 65 |
Autorská práva | |
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acting action actor affliction American answer Beckett become Bourgeois Gentleman character character's Claudius CLOWN cognitive dissonance conversation course create Creon dialogue doctor documentary drama dramatic dramaturgical edition emotional English essay Estragon eyes feelings Folio followspot French Ghost Glengarry Glen Ross golden opinions Hamlet hate human Ibid identity indicates inflections Jerzy King King Lear Laertes Lafeu Lear literary Macbeth medieval Miss Hearst modern Molière momentum Oedipus Ophelia original Othello passion performance perhaps person play play's Player playwright Polonius Pozzo Priam problem production punctuation Pyramus Pyrrhus Quarto question rehearsal Richard Burbage role says scene sentence sexton Shakespeare Simone Weil simply sixteen soliloquy Sophocles speak speech spelling stage Stanislavsky structure suggested sword syntax tears theatre theatrical theory therapist thing thou tion Tiresias translation tree upward inflection Vladimir voice Waiting for Godot weep Weil's Wheel theory words Yorick's York