Shakespeare Criticism: A SelectionDavid Nichol Smith M. Milford, Oxford University Press, 1930 - Počet stran: 416 Includes works from John Heminge and Henry Condell (1623) to Carlyle (1840). |
Vyhledávání v knize
Výsledky 1-3 z 25
Strana xvii
... sentiments being the legitimate offspring of passion , and therefore in themselves expressive of personality . Lyttelton , in his Dialogues of the Dead , said that Shakespeare's knowledge of the passions , the humours , and the sentiments ...
... sentiments being the legitimate offspring of passion , and therefore in themselves expressive of personality . Lyttelton , in his Dialogues of the Dead , said that Shakespeare's knowledge of the passions , the humours , and the sentiments ...
Strana 80
... sentiments of the passion he feels , but a cold description in the language of a bystander ? It is this imperfection , I am persuaded , in the bulk of our plays , that confines our stage almost entirely to Shakespear , notwithstanding ...
... sentiments of the passion he feels , but a cold description in the language of a bystander ? It is this imperfection , I am persuaded , in the bulk of our plays , that confines our stage almost entirely to Shakespear , notwithstanding ...
Strana 81
... sentiments that appear the legitimate offspring of passion ' and sentiments that are descriptive only , and illegitimate ' , by instances from Shakespeare and Corneille . ] SHAKESPEAR is superior to all other writers in delineating ...
... sentiments that appear the legitimate offspring of passion ' and sentiments that are descriptive only , and illegitimate ' , by instances from Shakespeare and Corneille . ] SHAKESPEAR is superior to all other writers in delineating ...
Obsah
JOHN HEMINGE d 1630 | 1 |
JOHN MILTON 160874 | 7 |
MARGARET CAVENDISH DUCHESS OF NEWCASTLE | 13 |
Další části 14 nejsou zobrazeny.
Další vydání - Zobrazit všechny
Běžně se vyskytující výrazy a sousloví
action admirable appear audience beauty Ben Johnson Cæsar Caliban censure character circumstances comedy common courage criticism daughters delight dialogue drama Edmund Blunden effect endeavoured English Essay Euripides excellence expressed faculties Falstaff fancy faults feelings force genius give Hamlet hath heart honour human humour Iago images imagination imitation impression Julius Cæsar kind King Landor language Lear look Macbeth Maurice Morgann MIDSUMMER NIGHT'S DREAM Milton mind moral murder nature never numbers object observation occasion Othello passages passion perhaps persons play poem poet poetic poetry Polonius praise principles qualities reader represented Richard Romeo and Juliet scene seems sense sentiments Shak Shake Shakespeare Shakspeare's shew shewn Sir John Falstaff Sophocles speak speare speech spirit stage thee thing thou thought thro tion tragedy true truth Venus and Adonis verse whole William Shakespear words writers